Berezkin Analytical Catalogue · Motif

K35A — The hero brands his rivals, ATU 530A.

169 Myths, legends and folktales
169 Unique narratives for motif K35A
83 Cultures & traditions where K35A is told
13 Sub-motifs of motif K35A
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Source data for narratives and traditions is drawn from Berezkin’s Analytical Catalogue. If you use this data, please acknowledge and link to it: Ю.Е. Березкин, Е.Н. Дувакин. Тематическая классификация и распределение фольклорно-мифологических мотивов по ареалам. Аналитический каталог.

Summary of motif

Overview

In exchange for improving his current situation, the character agrees to have his body injured or branded.

Berezkin category: Adventures: Acts of heroes

This is of motif type Adventures and tricks and is part of group 10, Adventures.

K35 has 13 other sub-motifs

Related

K35.  The deceiver pretends to be a hero in order to take his place (to possess his woman). (This motif includes all texts with motif K35a3).
K35a.  In exchange for improving his current situation, the character agrees to have his body injured or branded.
K35a1.  Setting off on a journey, a person (often against the advice of their horse) picks up a precious feather. Upon learning of this, an authoritative character gives them difficult tasks.
K35a2.  A man kills an animal with glowing fur. Upon learning of this, an authoritative figure gives him difficult tasks.
K35a3.  In order to obtain the privileges enjoyed by the hero, the deceiver manages to swap status with him.
K35a4.  In order to get rid of the hero and take his place, the deceiver pushes him into the sea or leaves him on a distant island. The hero survives and returns.
K35a5.  An authoritative character leaves an object (a letter) for a little boy, by which he will be able to recognise him when he grows up and comes to him.
K35a6.  The character illuminates the room with a light-emitting object (usually a feather) that he has found.
K35a7.  A character finds a feather, the touch of which brings health and beauty.
K35b.  The hero gives his rivals the food that the king sent them all to get, but what the rivals got turns out to be poisonous, useless, or tasteless, while what the hero brought, regardless of how it looks, gets praised.
K35c.  The dev (ajdaha, sea king) did not kill the man who descended to him, as people assumed, but rewarded him because he greeted him and/or answered his question correctly.
K35c1.  The young man is not killed, but rewarded, because he answered correctly (evasively) the question of a powerful character – which of the two women he should marry, which is more beautiful, which object or material is more valuable, etc.
K35c2.  When the ship unexpectedly stops, the hero descends to the bottom of the sea, behaves correctly with the local inhabitants, and returns to the ship.
K35c3.  For reasons that are not immediately clear, the ship stops in the middle of the sea (rarely: a horse stops in the middle of the road).

🌐 See a combined distribution map for all of K35’s motifs

Top 10 motifs with similar dispersal patterns

Phylogeny
MotifSimilarityMotif summary
K123A99.03%A boy or young man accidentally, or more often out of mischief, breaks or overturns a vessel belonging to a woman or girl. This episode forms the basis of the rest of the story.
K73B98.95%A woman falsely accused of murdering her newborn child, or of giving birth to a puppy instead of a child, etc., is subjected to cruel and humiliating punishment or execution. See motif K73.
M75B98.87%A person hides in the skin or carcass of a large animal. A bird brings a skin or carcass to the nest without knowing what it brought the person.
K88B98.87%The character suffers from thirst or hunger. His companion promises to share water or food with him (to make him rich) if he allows himself to be blinded.
I25A98.86%The character gives herbivorous animals food intended for carnivores, and carnivores food intended for herbivores; the character sees that the animals have food that is inedible for them and corrects the situation.
M116A98.67%A man drags his father, intending to leave him to die in a deserted place, give him to an almshouse, throw him into a precipice, etc. He stops on the way. The father says that he also stopped at this place when he was dragging his father. Or the boy asks to keep the sledge, the skin, etc., on which his father is dragging his grandfather (or takes half of the cloak with which his father covered the old man): it will come in handy when he drags his father himself. Or the old man is given a wooden (broken, etc.) plate to eat from, and the boy says that he will give his father the same one when he grows old. The man brings his father home (begins to take care of him).
M75C98.66%A person is offered to climb a rock or tree to get treasures. A return descent is not possible. Doomed to death, the hero remains alive.
K75A98.57%The character chooses one of many suitors (a woman chooses a husband, a boy chooses a father, a young man chooses a bride) by throwing an object (often an apple) at him. Cf. motif K113A (throwing an object at random, not at a person who is nearby).
K77B198.27%When they see predators, domestic animals consciously or accidentally behave in such a way that the predators flee in fear.
K9698.09%Several (more than three) brothers marry or must marry in such a way that their wives are sisters.

See the 100 most similar distributions →

Map of motif dispersal

Distribution

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Traditions

83 recorded

This motif has been recorded in 83 traditions: Saudi Arabia, Mehri; Harsusi, Jibbali (Shahri, Shauri), Arabs of Levant (Syria, Palestine, Lebanon, Jordan); Bedouins of Sinai, Arabs of Iraq, Iraqi, Arabs of Egypt, Berbers of Morocco and adjacent parts of Algeria, Western Sahara and Mauritania Arabs; Berbers of Mauritania (Zenaga), Tunisia Arabs, Malagasy, Arabs of Sudan, Sudanese, Nuba, Somali, Songhai, Kannada, Lingayat, Halakki, Tamil, Muthuvan, Marvar, Tamils, Bengali, Punjabi, Seraiki (Multani), Hindi-speaking peoples and casts (incl. Teli, Parahiya; incl. Chhattisgarhi) of Northern and West-Central India, Dards (Kalash, Kho, Kohistani, Shina, Pashai), England, British, Bretons, Basques, Sicily, Sicilians, France, Germans: North (Low- and Central German dialects): Schleswig-Holstein, Mecklenburg, Pommern, Niedersachsen (Lower Saxony, incl East Frisia and Oldenburg), Nordrhein-Westfalen, Hessen, Rheinland-Pfalz, Thüringen, Saxony-Anhalt, Sachsen, Brandenburg, Rügen, Slovakians, Slovaks, Hungarians, Greeks (modern), Balkarians, Macedonians, Balkarians, Romanians, Moldavians, Aromanians, Moldovans, Albanians, Balkarians, Latvians, Estonians, Karelians, Vepsians, Danes, Danish, Western Ukrainians, Byelarusians, Belarusians, Uzbek, Wakhi, Ishkashimi (including Sanglich), Munji, Yazgulami, Baluch, Persians, Abaza (Abazins), Cherkassians, Adyghe, Kabardin, Abkhaz, Abkhazians, Ossetians, Ingush, Dargin (Dargwa), incl. Müregin, Khürkilin, Kubachi, Avar, Andi, Akhvakh, Kumyk, Terekemen, Tats, Georgians, Armenians, Kalmyk, Anatolia Turks, Azeris (Azerbaijanis), Kazakh, Kirghiz, Uyghur, Hui (Dungan) of Xinjiang, Gansu, Shaanxi, Shanxi, Inner Mongolia, Qinghai, Kyrgyzstan, Kazakhstan (Dungan texts from Southern and Eastern China are clustered with the Chinese ones), Turkmen, Kazan (Middle Volga) Tatars, Bashkirs, Mari (Cheremis), Mordvins, Komi (Zyrians and Permyaks), Eastern Khanty (Ostyaks), Buryats: Western (cis Baikal), Daur (Daghur), Tuvinians of Tuva, Tuvans, Southern Altai: Altai proper (Altai-Kiji), Telengit, Altaians, Northern Altai: Chelkan, Kumanda, Tubalar, Altaians, Arabs (literary tradition; incl. One Thousand and One Nights), Lao, Luri, Bakhtiari, Kordofan, Eastern Ukrainians, Northern Ukrainians, Italians: Central (Toscana, Umbria, Marche, Lazio), Buryats: Eastern (trans Baikal), i.e. Khori, Terek Cossacks, Morocco, Russian Federation

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