The Mythology and Folklore Database
I22B1 - Birds perish at the border of our world.
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Source Data from Berezkin's Analytics Catalogue, if using this data please acknowledge and link to it here:
Ю.Е. Березкин, Е.Н. Дувакин. Тематическая классификация и распределение фольклорно-мифологических мотивов по ареалам. Аналитический каталог.
Summary of Motif
Some migratory birds (shamans in the form of birds) die on the border of our world.Berezkin category: Supernatural objects, objects and creatures
This is of motif type Cosmology and etiology and is part group 3, Cosmogony, the earth and the sky, etiology of the elements, natural and biological phenomena (fire, water, soil, thunderstorms, dream, etc.), cataclysms and cosmic threats, spirits of nature
I22 has 10 other sub-motifsI22. There are objects that, while remaining in place, move constantly or periodically (collide and diverge, fall and rise, open and close, rotate). I22a. The sky constantly beats against the earth like the lid of a boiling cauldron. I22b. Migratory birds (or shamans in the form of birds) fly from our world to another; the path lies through a narrow opening between jutting rocks, or the sky strikes the earth, crushing those who fly through; and/or at the passage to the other world there is a character who feeds on birds; and/or in the world on the other side of the pulsating barrier there is the mistress of the birds. I22b1. Some migratory birds (shamans in the form of birds) die on the border of our world. I22c. The character safely slips, sails or flies through the opening, which then slams shut, but the edge of the stern of the boat, the tail of an animal or bird, the body of a riding animal, the hero's companion or his own heel is crushed, torn off, etc. I22d. To obtain a miraculous life-giving (healing) remedy, one must penetrate the space behind the shifting rocks. I22e. The deceased, travelling to the afterlife, must pass by colliding rocks or other moving obstacles. I22f. The character must pass small objects (trees, logs, blades) that constantly collide and diverge, fall and rise. I22g. Mountains (rocks) are mentioned that constantly collide and diverge, or a crevice or gap in a vertical rock that opens and closes. Cf. motif I22g1, Colliding rocks. I22g1. In another world, the hero sees many strange things, including colliding stones (but they do not block his path). I22h. The character must jump over a gap (abyss) beneath his feet, which alternately widens and narrows, or a river whose banks converge and diverge. Click here if would you like to see a distrbution map combining all of I22's motifs? |
Top 10 Motifs with similar dispersal patterns
| Motif | Similarity | Motif Summary |
|---|---|---|
| B68 | 97.35% | The giant hazel grouse became small – it was usually torn into pieces, which turned into the current hazel grouse. |
| K44B | 97.35% | The hero or heroine returns after a long absence. Seeing (usually from the roof of the house) his or her parents (mother, husband) languishing in poverty, he or she throws food at them, extinguishes the fire, pushes them, etc. At first, they usually do not understand what is going on. |
| B42MN | 96.23% | Only one character (rather than several) chases an animal (elk or bear) across the sky, associated with one of the circumpolar constellations, but not with the Pleiades or Orion. (In the Kalevala tradition, there is no identification with stars). |
| B48A | 96.04% | The bodies of animals, birds or fish contain internal organs or muscles that were originally parts of the bodies of other animals, birds, fish or monsters. Cf. motif B36C. |
| M162A | 95.70% | The character pretends to eat his own genitals. Another believes him and castrates himself. |
| A29A | 95.15% | Heavenly and earthly women (demons) pull a man in different directions. As a result, he (or his half) turns into a heavenly object. |
| I22B | 95.14% | Migratory birds (or shamans in the form of birds) fly from our world to another; the path lies through a narrow opening between jutting rocks, or the sky strikes the earth, crushing those who fly through; and/or at the passage to the other world there is a character who feeds on birds; and/or in the world on the other side of the pulsating barrier there is the mistress of the birds. |
| M84B2 | 95.12% | The character carefully preserves the bones of migratory birds eaten (not fish or animals) and the birds come to life again. (Episodes of reviving a domestic goose or rooster are not taken into account in everyday tales). |
| K8C2 | 95.11% | The mouse is swallowed by a large land animal and comes out by cutting it open from the inside. |
| B72 | 93.62% | Since the children do not give their mother water, she turns into a bird (usually a cuckoo) and flies away. |
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Map of Motif Dispersal
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This motif has been recorded in 25 traditions: Arabs of Egypt, Ancient Greece, Western Sami, Eastern Sami (including Skolts), Swedes, Mansi, Eastern Khanty (Ostyaks), Southern Altai: Altai proper (Altai-Kiji), Telengit, Altaians, Northern Altai: Chelkan, Kumanda, Tubalar, Altaians, Nenets, Northern Selkups, Kets, Dolgans, Nanai, Nivkh, Reindeer Koryak, Maritime Koryak (Alyutor), Chukchi, Asiatic Eskimo (Sirenek, Naukan, Chaplino), Central Yupik, Lkungen (Straits; including Samish, Songish, Sooke, Lummi), Klallam, Paresi, Arabs (literary tradition; incl. One Thousand and One Nights), Western Yakuts (Sakha): Olekma and Vilyuy Basins, Southern Altai: Teleut