Berezkin Analytical Catalogue · Motif
I22B — Birds on their way to another world.
Source data for narratives and traditions is drawn from Berezkin’s Analytical Catalogue. If you use this data, please acknowledge and link to it: Ю.Е. Березкин, Е.Н. Дувакин. Тематическая классификация и распределение фольклорно-мифологических мотивов по ареалам. Аналитический каталог.
Summary of motif
OverviewMigratory birds (or shamans in the form of birds) fly from our world to another; the path lies through a narrow opening between jutting rocks, or the sky strikes the earth, crushing those who fly through; and/or at the passage to the other world there is a character who feeds on birds; and/or in the world on the other side of the pulsating barrier there is the mistress of the birds.
Berezkin category: Supernatural objects, objects and creatures
This is of motif type Cosmology and etiology and is part of group 3, Cosmogony, the earth and the sky, etiology of the elements, natural and biological phenomena (fire, water, soil, thunderstorms, dream, etc.), cataclysms and cosmic threats, spirits of nature.
I22 has 10 other sub-motifs
RelatedI22. There are objects that, while remaining in place, move constantly or periodically (collide and diverge, fall and rise, open and close, rotate).
I22a. The sky constantly beats against the earth like the lid of a boiling cauldron.
I22b. Migratory birds (or shamans in the form of birds) fly from our world to another; the path lies through a narrow opening between jutting rocks, or the sky strikes the earth, crushing those who fly through; and/or at the passage to the other world there is a character who feeds on birds; and/or in the world on the other side of the pulsating barrier there is the mistress of the birds.
I22b1. Some migratory birds (shamans in the form of birds) die on the border of our world.
I22c. The character safely slips, sails or flies through the opening, which then slams shut, but the edge of the stern of the boat, the tail of an animal or bird, the body of a riding animal, the hero's companion or his own heel is crushed, torn off, etc.
I22d. To obtain a miraculous life-giving (healing) remedy, one must penetrate the space behind the shifting rocks.
I22e. The deceased, travelling to the afterlife, must pass by colliding rocks or other moving obstacles.
I22f. The character must pass small objects (trees, logs, blades) that constantly collide and diverge, fall and rise.
I22g. Mountains (rocks) are mentioned that constantly collide and diverge, or a crevice or gap in a vertical rock that opens and closes. Cf. motif I22g1, Colliding rocks.
I22g1. In another world, the hero sees many strange things, including colliding stones (but they do not block his path).
I22h. The character must jump over a gap (abyss) beneath his feet, which alternately widens and narrows, or a river whose banks converge and diverge.
Top 10 motifs with similar dispersal patterns
Phylogeny| Motif | Similarity | Motif summary |
|---|---|---|
| K8C2 | 97.58% | The mouse is swallowed by a large land animal and comes out by cutting it open from the inside. |
| B72 | 96.71% | Since the children do not give their mother water, she turns into a bird (usually a cuckoo) and flies away. |
| I22B1 | 95.14% | Some migratory birds (shamans in the form of birds) die on the border of our world. |
| K52C | 93.84% | Demonstrating his power, a shaman, sorcerer or other character with magical abilities causes the dwelling in which he and other people are located to begin to fill with water. Sometimes it is said that this water is an illusion and that those present also see animals (waterfowl, fish or marine mammals). |
| B42MN | 92.42% | Only one character (rather than several) chases an animal (elk or bear) across the sky, associated with one of the circumpolar constellations, but not with the Pleiades or Orion. (In the Kalevala tradition, there is no identification with stars). |
| A32G | 92.40% | On the lunar disc, a character can be seen holding onto a tree or bush and ending up on the moon with them. See motif A32D. |
| L17 | 92.38% | Mouth and eyes of an anthropomorphic creature on the chest, no head. |
| B68 | 92.29% | The giant hazel grouse became small â it was usually torn into pieces, which turned into the current hazel grouse. |
| K44B | 92.29% | The hero or heroine returns after a long absence. Seeing (usually from the roof of the house) his or her parents (mother, husband) languishing in poverty, he or she throws food at them, extinguishes the fire, pushes them, etc. At first, they usually do not understand what is going on. |
| B48A | 92.23% | The bodies of animals, birds or fish contain internal organs or muscles that were originally parts of the bodies of other animals, birds, fish or monsters. Cf. motif B36C. |
See the 100 most similar distributions →
Map of motif dispersal
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Traditions
31 recordedThis motif has been recorded in 31 traditions: Saudi Arabia, Arabs of Levant (Syria, Palestine, Lebanon, Jordan); Bedouins of Sinai, Arabs of Iraq, Iraqi, Arabs of Egypt, Western Sami, Eastern Sami (including Skolts), Swedes, Komi (Zyrians and Permyaks), Mansi, Tundra Nenets, Southern Altai: Altai proper (Altai-Kiji), Telengit, Altaians, Northern Altai: Chelkan, Kumanda, Tubalar, Altaians, Northern Selkups, Kets, Dolgans, Nanai, Nivkh, Reindeer Koryak, Chukchi, Asiatic Eskimo (Sirenek, Naukan, Chaplino), Central Yupik, Crow, Lkungen (Straits; including Samish, Songish, Sooke, Lummi), Klallam, Yurok, Wapishana (incl Ataroi); Mapidian; Taruma, Barasana, Taibano, Macuna, Paresi, Arabs (literary tradition; incl. One Thousand and One Nights), Western Yakuts (Sakha): Olekma and Vilyuy Basins, Southern Altai: Teleut, Greece