The Mythology and Folklore Database
L42G - Hansel and Gretel, ATU 327A.
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Source Data from Berezkin's Analytics Catalogue, if using this data please acknowledge and link to it here:
Ю.Е. Березкин, Е.Н. Дувакин. Тематическая классификация и распределение фольклорно-мифологических мотивов по ареалам. Аналитический каталог.
Summary of Motif
The stepmother, and more often the father (usually at the insistence of his new wife), leaves the children in a deserted place or sends them into the forest. They end up in the house of a cannibal or cannibals, all (or at least one of them) survive and achieve success.Berezkin category: Adventures: Monsters and evil spirits
This is of motif type Adventures and tricks and is part group 10, Adventures
L42 has 16 other sub-motifsL42. After capturing the character, the enemy brings the prey home or to the place where he intends to eat it. The character runs away and escapes. L42a. The cannibal steals fresh corpses from graves. L42b. After capturing the hero, the antagonist brings him home and leaves him in the care of a family member. The latter believes the hero's words and follows his instructions. See motif L42. L42b1. A character kidnapped by a demon advises him to stack pots, pans and other kitchen items on top of each other and climb up them. He does so, falls and breaks. L42c. The character hides from someone stronger, sometimes inside the house, sometimes outside, and the stronger character cannot catch him. L42d. A man runs away from a cannibal across the ice, the cannibal pursues him, licks the blood spilled on the ice, his tongue freezes, he dies, or falls to his death after slipping on the ice. L42e. A demon catches the hero, carries him home, but the hero escapes on the way. The demon returns, catches the hero again, and this time brings him to his home. Or the demon catches and carries several children, but they escape on the way, leaving only one, whom the demon brings to his home. L42f. The character intended for consumption slips away unnoticed. The master of the house thinks that his wife has eaten him alone and cuts open her stomach. L42g. The stepmother, and more often the father (usually at the insistence of his new wife), leaves the children in a deserted place or sends them into the forest. They end up in the house of a cannibal or cannibals, all (or at least one of them) survive and achieve success. L42g1. Father (stepfather) takes children into the forest and slips away unnoticed. To make the children think he is nearby chopping wood, father hangs a board, pumpkin, etc. on a tree, which bangs against the trunk in the wind. L42g2. A person leaves traces behind by dropping seeds, pebbles, etc., or leaving drops of blood. These traces are unintentionally destroyed by birds, animals, wind, etc. L42g3. In the forest or in the sky, the character sees a house that is made entirely or partially of edible materials. L42h. A cannibal catches the hero and invites other cannibals to a feast. The hero escapes, and the cannibals eat the one who invited them. L42i. Creatures from another world carry off a little boy. His sister takes him and safely escapes from their pursuers. Usually the boy has two or three sisters, and only the youngest succeeds. L42i1. A boy is rowing a boat. A witch lures him out and carries him away. The boy escapes. L42j. The ogre catches children (usually mice), puts them in a bag, orders a tree (pole, crossbar in the house) to bend over, hangs the bag, orders the tree to straighten up again, and leaves. Another character (usually a fox) orders the tree (pole, etc.) to bend over and frees the children. L42k. A demonic character regurgitates an axe (adze) to cut down a tree. Click here if would you like to see a distrbution map combining all of L42's motifs? |
Top 10 Motifs with similar dispersal patterns
| Motif | Similarity | Motif Summary |
|---|---|---|
| K113 | 99.53% | Young men (usually three brothers) find wives (usually by shooting arrows or other objects at random, see motif K113A). The wife of the youngest brother is initially ugly or appears in the form of an animal (often a frog or snake), but turns out to be a beauty and a sorceress. Alternatively, the girls choose their husbands, and the wife of the youngest brother is a sorceress. |
| M136B | 99.51% | A man cuts the branch he is sitting on and similar variants (cuts the rope he climbed up on; climbs onto a dry branch that breaks; climbs onto a tree that has been cut down in order to fell it). |
| M141B | 99.51% | An insignificant event (a falling leaf, acorn, etc.) is taken by an animal as the beginning of a catastrophe (the end of the world, war, the falling of the sky, etc.) and it flees. Other animals join the fleeing animal. |
| M138 | 99.42% | At first, everyone was given 20 or 30 years. For animals, this is a long time, but for humans, it is short. Humans received part of the lifespan of animals. |
| K27G4 | 99.36% | The character must complete all field work in an unimaginably short time and present the products of the new harvest. |
| M158 | 99.35% | A human and an animal (devil) or two animals decide to cultivate a field and divide the harvest so that one gets the above-ground part and the other gets the underground part. One of the characters (always) loses out. |
| M106F | 99.31% | A stranger tells a woman that he has come from the other world. The woman gives him money and belongings with a request to pass them on to her deceased son, husband, etc. Usually, the woman's (new) husband (or son), upon learning of the deception, rides after him, and as a result, the deceiver steals his horse. |
| K129 | 99.30% | (Due to the intrigues of an antagonist) a girl falls into a deep swoon, but is not dead. A male character of high status (either the girl's spouse or blood relative) revives her. {In sub-Saharan Africa, except for Swahili, borrowing from Europeans is more likely than from Arabs}. |
| M136C | 99.29% | Based on indirect signs or someone's words, the fool believes that he has died and lies motionless. |
| M101A | 99.29% | Learning that humans are supposedly stronger than him, a large predator finds a human and challenges him to a contest of strength. This ends badly for him. Cf. motif M101. |
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Map of Motif Dispersal
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This motif has been recorded in 55 traditions: Yemen, Arabs of Iraq, Iraqi, Arabs of Sudan, Sudanese, Biu-Mandara: Margi, Kilba, Bura, Kera, Karekare (Kerri-Kerri), Bachama, Zulgo, Giziga, Hdi, Kapsiki, Mandara (incl Mukulehe, Matakam), Mofu (Mofu-Gudur), Somrai (Sibine, Shibha), Punjabi, Seraiki (Multani), Marathi (incl. Bhamta; incl. Mumbai area), Konkani (incl Goa), Ireland, Spain, Spaniards, Portuguese, Portugal, Catalan, Maltese, Sicily, Sicilians, Sardinia, Corsica, Sardinians, Corsicans, France, Dutch, Flemish, Germans: North (Low- and Central German dialects): Schleswig-Holstein, Mecklenburg, Pommern, Niedersachsen (Lower Saxony, incl East Frisia and Oldenburg), Nordrhein-Westfalen, Hessen, Rheinland-Pfalz, Thüringen, Saxony-Anhalt, Sachsen, Brandenburg, Rügen, Poles, Czech, Czechs, Slovakians, Slovaks, Hungarians, Greeks (modern), Balkarians, Bulgarians, Balkarians, Serbs, Monte Negro, Balkarians, Croatians, Croats; Italians of Dalmatia (if the motif is absent among other Italians), Slovenians, Slovenes, Romanians, Moldavians, Aromanians, Moldovans, Lithuanians, Latvians, Livonians, Estonians, Finns, Vepsians, Swedes, Western Ukrainians, Byelarusians, Belarusians, Russians: Central part of ethnic territory as in A.D. 1500 (Tver, Yaroslavl, Moscow, Kostroma, Vladimir, Ivanovo, Nizhny Novgorod, Ryazan, Tula, Kaluga, Smolensk provinces; in case of absence in other areas also Russians in Vyatka, Perm, Kazan provinces), Yazgulami, Persians, Nogai, Crimean Tatars, Karaims, Kara Kalpak, Uyghur, Hui (Dungan) of Xinjiang, Gansu, Shaanxi, Shanxi, Inner Mongolia, Qinghai, Kyrgyzstan, Kazakhstan (Dungan texts from Southern and Eastern China are clustered with the Chinese ones), Mari (Cheremis), Mordvins, Chuvash, Mongols (Khalkha), Cañari, Wallons, Picardie, Icelanders, Frisians, Faroe Islands, Congo, Tunisia