The Mythology and Folklore Database
L15A2 - Not fully hardened.
Please log on to view the narratives.
Motif Summary - Motifs with Simlar Dispersals - Map of Myth Distribution - List of Traditions - Myths |
Source Data from Berezkin's Analytics Catalogue, if using this data please acknowledge and link to it here:
Ю.Е. Березкин, Е.Н. Дувакин. Тематическая классификация и распределение фольклорно-мифологических мотивов по ареалам. Аналитический каталог.
Summary of Motif
The human body is tempered (in a furnace, etc.) to make it invulnerable, but one place remains unprotected.Berezkin category: Adventures: Monsters and evil spirits
This is of motif type Cosmology and etiology and is part group 8, Queer and monstrous beings, creatures, objects and loci, folk beliefs related to particular phenomena and objects
L15 has 21 other sub-motifsL15a. The character's vulnerable spot is located on the surface of the body, but not in vital internal organs. L15a1. The character's vulnerable spot is located at the bottom of the foot (heel, toe, sole, ankle). L15a2. The human body is tempered (in a furnace, etc.) to make it invulnerable, but one place remains unprotected. L15b. The character can only be killed with a specific plant, which is not usually used for making weapons. L15b1. In the battle between positive and negative creators, the positive one chooses the deer horn as a weapon – usually because this is the only weapon that the enemy fears. L15c. A dangerous character asks the hero how he can be killed, what he is afraid of. The hero lies, saying that the named object does not harm him. L15c1. A dangerous character naively reveals what he fears or what his life consists of, and the hero takes advantage of this. L15d. The object in which the character's life is concentrated is separate from him. The character dies when this external form is destroyed. L15d1. When a character is asked to reveal the location of his soul (death, power), he first gives an incorrect answer, and the questioner usually begins to show signs of attention to the corresponding locus or object. L15e. The hero's life is in a certain object, usually his weapon. An enemy steals or discards this object, the hero weakens or dies, his friends or brothers return the object, and the hero comes back to life. {In ATU, this is motif 302B; at least some of the references cited by Uther do not contain the motif in our formulation (not found in Japan or Burma); original publications are required}. L15e1. An ageing character and/or one who senses his death approaching instructs his son, a warrior, or his subjects to throw his cold weapon (sword, sabre or axe) into the sea, a lake or a river. Cf. motifs L15E and L15e2. L15e2. One character instructs another to throw a certain object (usually a sword or sabre) into the water. The messenger claims to have carried out the task, but cannot say what happened as a result, so it becomes clear that he has lied. L15f. A young woman or man dies as soon as her or his jewellery (rarely: organ) is stolen, and comes back to life when the jewellery is returned or when the antagonist removes it. L15g. A person's life is connected to an object that can be burned. As soon as the object is burned, the person dies. L15g1. A person knows a secret on which the life of a loved one (husband, son, wife) depends and, after a quarrel, commits an act that is insignificant to an outside observer but leads to the immediate death of the other. L15h. The object in which the character's life is concentrated is enclosed in another, which is enclosed in a third, and so on (like an egg in a duck, a duck in a hare, a hare in a chest). Or the animal in which the character's soul is enclosed transforms into other animals as it flees. There are three or more enclosures or transformations. L15h1. The object in which the character's life is contained is enclosed in another, which is enclosed in a third (and so on). The final container of the soul is an egg (to kill the character, the egg must be broken over his head). l15h2. The object in which the character's life is contained is enclosed in another, which is enclosed in a third (and so on). The final repository of the soul is a bird (a chick, several birds or chicks). l15h3. The object in which the character's life is concentrated is enclosed in another, which is enclosed in a third (and so on). The final vessel of the soul is an insect or worm. l15h4. The object in which the character's life is concentrated is enclosed in another, which is enclosed in a third (and so on). The final container of the soul is a needle, which the hero breaks. L15i. A man dies or loses his strength (or pretends to) if his hair is cut or pulled out. L15J. The character can only be killed by fire. Click here if would you like to see a distrbution map combining all of L15's motifs? |
Top 10 Motifs with similar dispersal patterns
| Motif | Similarity | Motif Summary |
|---|---|---|
| I87AB | 100.00% | Strong men or a crowd of people cannot move the body of a dead animal or the leg of a motionless person, but a child or a woman can do it easily. Cf. motif B83. |
| M141A | 100.00% | In a gathering of various animals, one of the participants refers to the weakest as insignificant to the others and bearing an ugly name. That one is eaten. This is repeated several times, each time the weakest of the remaining animals is eaten. |
| H7F2 | 99.83% | The character embodying death had a body visible to humans. Then death became invisible. |
| K27ZZ3 | 99.83% | The father or stepmother (werewolf) pushes/locks the sisters (the girl and her servants) into a pit. The heroine manages to escape and triumphs over her antagonists. |
| L108F | 99.83% | A character (girl, boy) finds themselves in water, and the antagonist lures them to shore by imitating the voice of their father, brother or sister. |
| N26 | 99.83% | said that the action took place when cultivated plants (wheat, cotton) grew on ice or salt. |
| N9 | 99.83% | Two characters discuss the rider's approach. A person with a higher social status explains that what seems like crows are actually clods of earth flying from under the horse's hooves, and what seems like snow, cloud or fog is falling from his foam or his breath. |
| A32I | 99.65% | A shepherd (shepherd and girl, shepherd and his flock, dogs) can be seen on the lunar disc. |
| B108 | 99.65% | An anthropomorphic character that has fallen apart into pieces turns into snow. |
| K156 | 99.65% | A girl pretends to be a man. To determine who it really is, flowers are placed under the pillow or mattress. If a man is sleeping, they will remain fresh, but if a woman is sleeping, they will wilt by morning (or if a woman is sleeping, the milk left under the bed will sour). |
See more...
Please log on to view the narratives.
Map of Motif Dispersal
Click here for a clustered map
Drag the map around by clicking and using the mouse, use the wheel to zoom
This motif has been recorded in 7 traditions: Burusho (Hunza), Ancient Greece, Lithuanians, Cherkassians, Adyghe, Kabardin, Karachays, Balkar, Ossetians, Svans