Berezkin Analytical Catalogue · Motif

H1B — Death of someone else's child.

36 Myths, legends and folktales
36 Unique narratives for motif H1B
34 Cultures & traditions where H1B is told
6 Sub-motifs of motif H1B
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Source data for narratives and traditions is drawn from Berezkin’s Analytical Catalogue. If you use this data, please acknowledge and link to it: Ю.Е. Березкин, Е.Н. Дувакин. Тематическая классификация и распределение фольклорно-мифологических мотивов по ареалам. Аналитический каталог.

Summary of motif

Overview

The character performs actions that lead to death, because he is indifferent to or desires the death of the child or woman loved by another character. See motif H1A.

Berezkin category: Paradise Lost

This is of motif type Cosmology and etiology and is part of group 4, Origin of death, diseases and hard life.

H1 has 6 other sub-motifs

Related

H1a.  The character decides that people should die. His or her child, mother, or some other being whose life is dear to him or her dies. Now the decision-maker agrees to make people immortal, but it is impossible to change the decision that has been made.
H1b.  The character performs actions that lead to death, because he is indifferent to or desires the death of the child or woman loved by another character. See motif H1A.
H1bb.  One character refuses to resurrect another's beloved dog, and this conflict is linked to the loss of the ability to resurrect people.
H1c.  People cease to be reborn (or no longer come to the living) after the deceased is buried in the ground for the first time or someone tramples the earth on a fresh grave, preventing the deceased from rising from the grave.
H1d.  The deceased returns, but people send him back, dissatisfied with his appearance, refusing to accept him or burying him again. From then on, death is final.
H1e.  A certain character is the first to enter the world of the dead, after which all people follow the same path; he paves the way to the world of the dead; the first to die becomes the master or guardian of the afterlife.
H1f.  People learn how to treat the dead by observing the behaviour of crows.

🌐 See a combined distribution map for all of H1’s motifs

Top 10 motifs with similar dispersal patterns

Phylogeny
MotifSimilarityMotif summary
J59D98.50%The character steps or jumps over the remains of the slain, and the latter comes back to life.
H1A97.18%The character decides that people should die. His or her child, mother, or some other being whose life is dear to him or her dies. Now the decision-maker agrees to make people immortal, but it is impossible to change the decision that has been made.
M38A94.46%On a visit, the character sees how the owner acts with magic or techniques that suit his nature (in Africa, too, deception). He imitates their actions but fails. Actions are not tests or competitions and are not related to performing feats. This is mainly getting or preparing food.
F6193.29%A male character pretends to be sick, weak, unconscious; a woman carries him on her back, he copulates or tries to copulate with her on the go.
M11C93.14%Without harming himself, a male character cuts off, pierces, roasts, holds over a fire, etc. a part of his body (or his wife's body). The character cooks the meat, fat, etc. obtained in this way and treats his guest to it. This food is not perceived as unclean (cf. motifs M11B and M38).
I11793.10%A spider or spider woman lifts a hero or heroine up to the sky, helps them descend to earth, or otherwise helps them cross the path leading to another world.
M5292.60%The character (by deception) kills an ungulates. He asks another to refresh the carcass, looks for a knife to do it, or a fire to fry the meat. The other freshens the carcass, gives fire or a knife, but takes or tries to take all the meat for himself.
M29I92.17%See the motives in square brackets.
M5191.57%One of the two characters gets meat. The weaker deceives the stronger one, hiding the meat in his absence to eat alone later.
K21A91.06%A celestial being marries an earthly woman. She longs to return to earth and secretly descends from her husband.

See the 100 most similar distributions →

Map of motif dispersal

Distribution

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Traditions

34 recorded

This motif has been recorded in 34 traditions: Kabylia and other Berber of Northern and Central Algeria: Beni Snous, Beni Menacer (incl Zuav), Shaui, etc.), Berbers of southern Tunisia and adjacent part of Libya (Matmata and Ghadames areas), Kalenjin; including Sabaot, Nandi (Nande), Arusha, Kipsigis, Pokot (Suk), Keiyo (Elgeiyo), Marakwet, Sebeei, Masai, Shone (Shona, =Mashona, =Karanga), Makoni (Shoni dialect), Remba (=Hungwe, Wahungwe); Zezuru, Rozwi, Ndau (Vandau), Ila (Baila), Kerewe, Sukuma, Kwaya, Kumbi, Busiba, Gusii, Suba, Nyamwesi, Sumbwa, Chagga (Jagga; incl Wasu), Pare, Digo, Rwanda (incl Hutu, Tutsi, Kiga), Rundi, (Ma)Shi, Banyabungu; Rega, Luba (Baluba, Luba-Katanga, Shaba), (Ba)Holoholo, Tumbwe, Bena-Piana, Tabwa, Benabena-Mitumba, Zela, Bene-Marungu, Lunda (Alunda), Tswana (Chwana), Suto (Soto; incl Pedi, Mbire), Yoruba; incl Ife), Nupe, Bini (Edo), Engenni, Chamba, Dakka, Kukuruku, Blackfoot, Kiowa, Hidatsa, Lushootseed (Puget Sound: Puyallup, Nisqualmi, Snuqualmi, Duwamish, Muckleshoot, Snohomish, Skagit), Lower Chehalis, Upper Chehalis, (Lower) Cowlitz, Quileute, Chemakum (Hoh), Quinault, Kalapuya, Oregon Athabaskans: Lower Umpqua, Tututni (incl Joshua), Upper Coquille, Galice, Tolowa, Coos, Okanagon, Sanpoil, Shasta; Chimariko, Yurok, Cherokee, Wailaki, Mattole, Lassik, Sinkyone, Cahto, Pomo, Wintu, Patwin, Nomlaki, Yana, Tubatulabal, Northeastern Yakuts (Sakha): Yana, Indigirka and Kolyma Basins

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