Berezkin Analytical Catalogue · Motif

B44B — Fingers, claws, hair, feathers.

36 Myths, legends and folktales
36 Unique narratives for motif B44B
28 Cultures & traditions where B44B is told
7 Sub-motifs of motif B44B
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Source data for narratives and traditions is drawn from Berezkin’s Analytical Catalogue. If you use this data, please acknowledge and link to it: Ю.Е. Березкин, Е.Н. Дувакин. Тематическая классификация и распределение фольклорно-мифологических мотивов по ареалам. Аналитический каталог.

Summary of motif

Overview

The number and/or nature of the alternation of fingers, claws, feathers, hairs, and stripes on animal skins determines the number of time intervals in the calendar or daily cycle. See motif B44.

Berezkin category: The Origins of the Characteristics of the environment

This is of motif type Cosmology and etiology and is part of group 7, Etiology of plants and animals and of their peculiar features, particular animals as protagonists of cosmological stories, metamorphoses, weather and calendar.

B44 has 7 other sub-motifs

Related

B44.  The first ancestors (usually human-animals) argue about how long the year, winter, night, or other periods of time should last, and whether cold and darkness should be replaced by warmth and light.
B44a.  Characters argue about the number of discrete units of time that determine the duration of a certain period of time (most often winter or night). See motif B44.
B44b.  The number and/or nature of the alternation of fingers, claws, feathers, hairs, and stripes on animal skins determines the number of time intervals in the calendar or daily cycle. See motif B44.
B44c.  The characters argue about whether there should be darkness or light, cold or warmth on earth. See motif B44.
B44d.  Night and day alternate because the slain beast was black and white, spotted.
B44e.  First ancestors (usually birds or animals) argue with each other about the length of time periods in the calendar or daily cycle, or about the desirability of the dominance of cold and dark or warm and light times. See motif B44.
B44f.  In the dispute over whether the world should be bright, the fox is on the side of light (almost always against the bear).
B44f1.  In the dispute over whether the world should be light (warm), the bear is on the side of darkness (and cold); or the world is plunged into darkness because the bear hides the sun in his house.

🌐 See a combined distribution map for all of B44’s motifs

Top 10 motifs with similar dispersal patterns

Phylogeny
MotifSimilarityMotif summary
M8095.53%The character insults a partridge bird, kills or offends its chickens; the partridge suddenly takes off in front of the offender, he falls (usually into a lake or river).
A38D95.50%Because the Sun has harmed the character (ruined or burned his cloak, the fur on his skin, etc.), he catches it in a trap or kills it.
I22H95.20%The character must jump over a gap (abyss) beneath his feet, which alternately widens and narrows, or a river whose banks converge and diverge.
J19B94.87%An evil spirit kills a woman by burning through her body.
M5394.69%The character invites others to gather around him, focusing on an activity (usually dancing with their eyes closed or lowered), and then kills the crowd (usually one at a time).
D4N94.24%A boy or (among the KutenΓ©) a woman cries, demanding the absent elements - summer, fire, rain. See motif D4A (demand for summer).
M6993.61%character is attracted by the inside of a large animal's skull (small animals or insects are dancing or feasting inside, or eating some meat); he sticks his head inside , it gets stuck.
F6893.17%A woman pretends to be dead or actually dies. Her (former) lover comes to her grave. She goes with him, trying to avoid exposure, puts on men's clothes, but is eventually recognised.
M29C93.17%See the motives in square brackets.
L8693.12%Having turned into a demon, a woman pursues her children. Cf. motif K102a2: A mother seeks to destroy her son (children) because he interferes with her love affair and/or sides with his father in a conflict between his parents.

See the 100 most similar distributions →

Map of motif dispersal

Distribution

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Traditions

28 recorded

This motif has been recorded in 28 traditions: Saudi Arabia, Arabs of Levant (Syria, Palestine, Lebanon, Jordan); Bedouins of Sinai, Arabs of Iraq, Iraqi, Arabs of Egypt, Nganasans, Inland Tlingit, Tahltan, Tlingit, Tsimshian, Western Ojibwa (Chippewa), Northern Ojibwa (=Severn Ojibwa, Sandy Lake Cree), Eastern Cree, Montagnais, Menominee, Sauk (Sak, Mesquakie), Fox, Kickapoo, Five Nations Iroquois (Seneca, Mohawk, Onondaga, Oneida, Cayuga), Comanche, Plains Cree, Assiniboine, Carrier, Shuswap, Kawaiisu, Northern Paiute (=Paviotso), Western Shoshone, Gosiute, Ute, Puelche, Northern and Southern Tehuelche, Arabs (literary tradition; incl. One Thousand and One Nights)

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