Berezkin Analytical Catalogue · Motif
B33F — The old woman-night unravels the yarn.
Source data for narratives and traditions is drawn from Berezkin’s Analytical Catalogue. If you use this data, please acknowledge and link to it: Ю.Е. Березкин, Е.Н. Дувакин. Тематическая классификация и распределение фольклорно-мифологических мотивов по ареалам. Аналитический каталог.
Summary of motif
OverviewA certain character performs actions that determine the change from dark to light times of day. It always involves yarn, thread, rope, or fabric, which the character unravels or winds up, or with which the hero binds the entity responsible for the daily cycle.
Berezkin category: The Origins of the Characteristics of the environment
This is of motif type Cosmology and etiology and is part of group 3, Cosmogony, the earth and the sky, etiology of the elements, natural and biological phenomena (fire, water, soil, thunderstorms, dream, etc.), cataclysms and cosmic threats, spirits of nature.
B33 has 14 other sub-motifs
RelatedB33. There is a female character who embodies the wind or is considered the mother or mistress of the winds.
B33a. Deciding that it has become (or will soon become) warm, the character believes that winter is over (most often an old woman goes to graze cattle), but dies from the cold or the cattle driven out to pasture perish. Cf. motif I84A ("The frozen son of God").
B33a1. A person (animal, bird) teases or insults March or another calendar month and is punished as a result.
B33b. At the border between winter and spring, a bird (usually a thrush) flies away prematurely into the cold and dies, or raises chicks and they die or suffer from the cold.
B33c. The month on the border between winter and spring (usually March) takes (rarely: buys, steals) a few days from its neighbour.
B33d. An elderly woman embodies winter, is associated with snow, and/or at the border between winter and spring (autumn) there are several very cold days associated with a certain old woman.
B33d1. In narrative folklore, the days of the week (most often Friday and Wednesday) are special (female) characters with a more or less pronounced demonic nature.
B33e. The last cold month regrets that it did not come earlier or that it is too short. In that case, it would have frozen everyone.
B33e1. It is said that the cold, which is stronger than anything else, can freeze boiling water, a foetus in the womb, etc.
b33e2. The severity of the cold in early spring is said to break the horns of large hoofed animals.
B33f. A certain character performs actions that determine the change from dark to light times of day. It always involves yarn, thread, rope, or fabric, which the character unravels or winds up, or with which the hero binds the entity responsible for the daily cycle.
B33f1. By performing certain actions, the (old) woman determines the daily cycle.
B33f2. At night, the fire goes out. The young man goes to look for fire and on the way ties up an old woman or an old man (usually a character responsible for the length of night and day).
B33g. Horsemen or horses represent celestial bodies or different periods of the day.
B33h. The sun has a mother who lives with him (less often with her) in the same house. Cf. motif K27x6b ("The character goes to the mother of the sun")
Top 10 motifs with similar dispersal patterns
Phylogeny| Motif | Similarity | Motif summary |
|---|---|---|
| K127 | 99.63% | A girl has many brothers, who are turned into birds or animals (rarely: into plants; killed by witchcraft), then usually disenchanted (brought back to life; usually all of them, in the Georgian version â one). See motif K127A. |
| M136E | 99.50% | Instead of asking a person to bend down in front of a low lintel, others suggest cutting off his head or legs. |
| M204 | 99.49% | When a deity (an authoritative figure) tries to convey values to a person, they either get them or they don't, despite the unlikely circumstances (such is their fate, such is the will of God). |
| K14E | 99.47% | The sons do not care for their elderly father (rarely: the daughter-in-law does not care for her mother-in-law). He pretends to be hiding something. The sons believe that these are valuables that their father will leave them, and they begin to care for him. |
| K163 | 99.45% | A sorcerer orders a young man to retrieve a magical object (often a lamp) from a hard-to-reach place. The young man finds the object (but refuses to give it up), and the sorcerer grants his wishes. |
| H7A | 99.45% | Having received knowledge from Death (rarely: Happiness or a certain spirit) about whether the sick person will be healed or not, whether she is going to take his soul, the person will know whether he will recover. U.nyak praises him for his impartiality; U.t himself; the poor man scolds the doctor, becomes rich. Usually he sees where exactly Death (spirit, etc.) is near the bed, whether it is going to take his soul, whether the person will recover. U. praises him for his impartiality; U. himself; the poor man scolds the sick man, and on this basis knows what will happen to him. |
| K92B | 99.42% | A daughter tells her father (rarely her brother) that she loves him like salt (or that salt is more important than him, etc.). He sends his daughter away (gets angry with his sister), but then realises she is right. |
| L100F | 99.32% | While the host is away, the guest is told that the host is going to kill or maim him, and imaginary evidence is presented. The returning host tries to stop the fleeing guest, who is convinced that he was warned for good reason. |
| M39A4A | 99.32% | fool sells or gives an animal (plant, statue) meat, pet, cloth, etc., believing that the buyer will pay; or the fool works where no one asked him to, and takes the animal for its owner. When he comes for money, he beats an animal (a tree, a statue, follows an animal) and as a result finds a treasure. |
| K35C3 | 99.19% | For reasons that are not immediately clear, the ship stops in the middle of the sea (rarely: a horse stops in the middle of the road). |
See the 100 most similar distributions →
Map of motif dispersal
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Traditions
20 recordedThis motif has been recorded in 20 traditions: Tunisia Arabs, Indian literary tradition (Vedic, Brahman, Purana, Indian Buddhism, Hinduism, Ramayana, Mahabharata, Panchtantra, Jatakas); iconography of Hindu temples, Punjabi, Seraiki (Multani), Spain, Spaniards, Portuguese, Portugal, Greeks (modern), Balkarians, Bulgarians, Balkarians, Macedonians, Balkarians, Romanians, Moldavians, Aromanians, Moldovans, Albanians, Balkarians, Western Sami, Eastern Sami (including Skolts), Iranian literary tradition (including Avesta, Pahlevi scripts, Sah-nameh, Marzban-nameh); Zoroastrians of Iran, Indian Parsees, Zoroastrianism, Mingrelians (Megrelians), Laz, Armenians, Anatolia Turks, Azeris (Azerbaijanis), Mordvins, Lkungen (Straits; including Samish, Songish, Sooke, Lummi), Klallam, Italians: Central (Toscana, Umbria, Marche, Lazio)