Berezkin Analytical Catalogue · Motif

I41C — Celestial object – reflection of a snake.

10 Myths, legends and folktales
10 Unique narratives for motif I41C
6 Cultures & traditions where I41C is told
5 Sub-motifs of motif I41C
Please log on to view the narratives.

Source data for narratives and traditions is drawn from Berezkin’s Analytical Catalogue. If you use this data, please acknowledge and link to it: Ю.Е. Березкин, Е.Н. Дувакин. Тематическая классификация и распределение фольклорно-мифологических мотивов по ареалам. Аналитический каталог.

Summary of motif

Overview

Rainbow or Milky Way – reflection of a snake (fish) on land or in the sea.

Berezkin category: Supernatural objects, objects and creatures

This is of motif type Cosmology and etiology and is part of group 3, Cosmogony, the earth and the sky, etiology of the elements, natural and biological phenomena (fire, water, soil, thunderstorms, dream, etc.), cataclysms and cosmic threats, spirits of nature.

I41 has 5 other sub-motifs

Related

I41.  A rainbow is a reptile (usually a snake), less often a fish or snake-like, usually dangerous, object (snake tongue, scorpion tail).
I41a.  A rainbow rises from an anthill or termite mound.
I41b.  The rainbow drinks (draws into itself) water (and living creatures).
I41b1.  The rainbow drinks, swallowing fish, people, etc. along with the water. Sometimes this fish falls from the sky to the ground.
i41b2.  A rainbow emerges from the mouth of a reptile, amphibian or invertebrate animal.
I41c.  Rainbow or Milky Way – reflection of a snake (fish) on land or in the sea.

🌐 See a combined distribution map for all of I41’s motifs

Top 10 motifs with similar dispersal patterns

Phylogeny
MotifSimilarityMotif summary
M29V96.20%The character defeats or deceives strong opponents using cunning. The protagonists are dwarf ungulates, usually duker or deer - taxonomically distant from each other, but similar in appearance. In some publications on African traditions, it is difficult to determine which animal we are talking about, but it is certain that these are small cloven-hoofed animals, usually (always?) dukers. See the motives in square brackets.
L10695.52%A person takes an object belonging to another and loses it; the owner demands that the object be returned; the hero goes after it (to another world), usually finds it and brings back what was lost. See motifs K56a3 and L105.
B77B194.97%The sky receded and/or the connection between humans and the deity ceased after the sky or the heavenly deity was touched or struck during work with a pestle used to pound in a mortar or with a spoon used to stir porridge (Ewe, Nubians, Nyiman).
I11994.60%Earthquakes are caused by inhabitants of the underworld; during earthquakes, they try to get to the surface of the earth to check whether people are still alive.
H36H92.92%Creatures, including a frog or toad, must cross an obstacle. This does not go as planned and results in humans becoming mortal.
D4E192.55%The thief or giver of fire, light or sun is the dog. See motif 4A.
M105A91.41%A character hides his children, but tells another that he has killed them. The other believes him and kills his own children. See motif M104.
L42H91.29%A cannibal catches the hero and invites other cannibals to a feast. The hero escapes, and the cannibals eat the one who invited them.
K61B91.11%In order to learn the names of strangers, the character finds or creates a situation in which they call each other by name aloud.
A3690.56%The moon (month) is contrasted with humans as immortal to mortals; it decides whether humans will be mortal; those who live on the moon are immortal. (Cf. Latvians, Dolgans).

See the 100 most similar distributions →

Map of motif dispersal

Distribution

Drag the map to pan, use the scroll wheel to zoom — choose a texture or projection below

Traditions

6 recorded

This motif has been recorded in 6 traditions: Zande (Azande, incl Nzakara), Kikuyu, Chuka, Embu, Emberre, Mwimbe, Ewe, Simeulue, Nias, Semang, Senoi, Meo (Hmong) of Thailand, Laos and Northern Vietnam

Please log on to view the narratives.