The Mythology and Folklore Database
L15D1 - Imaginary container of the soul.
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Source Data from Berezkin's Analytics Catalogue, if using this data please acknowledge and link to it here:
Ю.Е. Березкин, Е.Н. Дувакин. Тематическая классификация и распределение фольклорно-мифологических мотивов по ареалам. Аналитический каталог.
Summary of Motif
When a character is asked to reveal the location of his soul (death, power), he first gives an incorrect answer, and the questioner usually begins to show signs of attention to the corresponding locus or object.Berezkin category: Adventures: Monsters and evil spirits
This is of motif type Adventures and tricks and is part group 10, Adventures
L15 has 21 other sub-motifsL15a. The character's vulnerable spot is located on the surface of the body, but not in vital internal organs. L15a1. The character's vulnerable spot is located at the bottom of the foot (heel, toe, sole, ankle). L15a2. The human body is tempered (in a furnace, etc.) to make it invulnerable, but one place remains unprotected. L15b. The character can only be killed with a specific plant, which is not usually used for making weapons. L15b1. In the battle between positive and negative creators, the positive one chooses the deer horn as a weapon – usually because this is the only weapon that the enemy fears. L15c. A dangerous character asks the hero how he can be killed, what he is afraid of. The hero lies, saying that the named object does not harm him. L15c1. A dangerous character naively reveals what he fears or what his life consists of, and the hero takes advantage of this. L15d. The object in which the character's life is concentrated is separate from him. The character dies when this external form is destroyed. L15d1. When a character is asked to reveal the location of his soul (death, power), he first gives an incorrect answer, and the questioner usually begins to show signs of attention to the corresponding locus or object. L15e. The hero's life is in a certain object, usually his weapon. An enemy steals or discards this object, the hero weakens or dies, his friends or brothers return the object, and the hero comes back to life. {In ATU, this is motif 302B; at least some of the references cited by Uther do not contain the motif in our formulation (not found in Japan or Burma); original publications are required}. L15e1. An ageing character and/or one who senses his death approaching instructs his son, a warrior, or his subjects to throw his cold weapon (sword, sabre or axe) into the sea, a lake or a river. Cf. motifs L15E and L15e2. L15e2. One character instructs another to throw a certain object (usually a sword or sabre) into the water. The messenger claims to have carried out the task, but cannot say what happened as a result, so it becomes clear that he has lied. L15f. A young woman or man dies as soon as her or his jewellery (rarely: organ) is stolen, and comes back to life when the jewellery is returned or when the antagonist removes it. L15g. A person's life is connected to an object that can be burned. As soon as the object is burned, the person dies. L15g1. A person knows a secret on which the life of a loved one (husband, son, wife) depends and, after a quarrel, commits an act that is insignificant to an outside observer but leads to the immediate death of the other. L15h. The object in which the character's life is concentrated is enclosed in another, which is enclosed in a third, and so on (like an egg in a duck, a duck in a hare, a hare in a chest). Or the animal in which the character's soul is enclosed transforms into other animals as it flees. There are three or more enclosures or transformations. L15h1. The object in which the character's life is contained is enclosed in another, which is enclosed in a third (and so on). The final container of the soul is an egg (to kill the character, the egg must be broken over his head). l15h2. The object in which the character's life is contained is enclosed in another, which is enclosed in a third (and so on). The final repository of the soul is a bird (a chick, several birds or chicks). l15h3. The object in which the character's life is concentrated is enclosed in another, which is enclosed in a third (and so on). The final vessel of the soul is an insect or worm. l15h4. The object in which the character's life is concentrated is enclosed in another, which is enclosed in a third (and so on). The final container of the soul is a needle, which the hero breaks. L15i. A man dies or loses his strength (or pretends to) if his hair is cut or pulled out. L15J. The character can only be killed by fire. Click here if would you like to see a distrbution map combining all of L15's motifs? |
Top 10 Motifs with similar dispersal patterns
| Motif | Similarity | Motif Summary |
|---|---|---|
| K67D | 99.72% | The worker (rarely – the husband) annoys the master (wife) so much that he or she decides to run away, taking his or her property with him or her. The worker hides in a sack (chest) with his or her property and ends up back where he or she started. |
| A19A | 99.61% | Moving daily across the sky, the sun changes its riding animals (usually in the morning it rides on an animal that moves slowly, and in the evening on another that runs faster). |
| K35A1 | 99.59% | Setting off on a journey, a person (often against the advice of their horse) picks up a precious feather. Upon learning of this, an authoritative character gives them difficult tasks. |
| B103 | 99.57% | The character thinks that since the cornel blooms earlier than other fruit trees, its fruits will ripen earlier than others. The character is mistaken and is left without fruit. |
| L100E | 99.56% | Before entering, the guest notices the mistress with her lover in the house. When the husband arrives, the guest pretends to be clairvoyant and shows the husband where the lover is hiding and where the food prepared for him is. |
| N2 | 99.51% | Fabulous and epic texts start from the beginning, which states that animals were performing human social or economic functions at that time. |
| K64A | 99.49% | A man blinds a sleeping or immobile giant-cannibal and escapes from him. |
| L94B1 | 99.41% | A man receives a box (bag, horn, etc.) as a gift, which he must open only at home. Driven by curiosity, he opens it on the way, and everything that should make him wealthy (houses, livestock, etc.) spills out. The demon who appears agrees to return everything, but sets a condition, the severity of which the man does not immediately understand. |
| K99 | 99.40% | A person dreams about an upcoming celebration for himself or a member of his family (rarely: he daydreams about it). Either another person buys the dream and becomes the protagonist of the story, or the person who saw it hides its content from everyone, or he is persecuted for excessive conceit, as evidenced by the content of the dream. The meaning of the dream is revealed at the end of the story. Often, the young man ascends to the throne and marries the heiresses of two kingdoms (in the dream, these were two suns or the sun and the moon). |
| M199L | 99.32% | When the giant blew, sneezed, etc., or let go of the bent tree on which the man was sitting, the man was thrown far away. The man says that he did it of his own free will (to show how he can fly, to repair the roof, etc.). |
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Map of Motif Dispersal
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This motif has been recorded in 43 traditions: Arabs of Levant (Syria, Palestine, Lebanon, Jordan); Bedouins of Sinai, Arabs of Iraq, Iraqi, Santali, Turi, Mahli, Maria, Muria, and other South-Central Dravidians: Binjhwar, Bacop, Bhattra, Bom, Jhoria (=Jhodia), Gadaba (in Koraput, neighbors of Munda-speaking Gadaba), Duruwa (Parji), Mehtar; Pardhan, Indian literary tradition (Vedic, Brahman, Purana, Indian Buddhism, Hinduism, Ramayana, Mahabharata, Panchtantra, Jatakas); iconography of Hindu temples, Scotland, Scots, Picts, Scotti, Scottish, Slovakians, Slovaks, Greeks (modern), Balkarians, Macedonians, Balkarians, Serbs, Monte Negro, Balkarians, Croatians, Croats; Italians of Dalmatia (if the motif is absent among other Italians), Romanians, Moldavians, Aromanians, Moldovans, Albanians, Balkarians, Lithuanians, Estonians, Karelians, Norwegians, Western Ukrainians, Byelarusians, Belarusians, Persians, Cherkassians, Adyghe, Kabardin, Karachays, Balkar, Ossetians, Ingush, Avar, Andi, Akhvakh, Nogai, Tats, Mingrelians (Megrelians), Laz, Georgians, Armenians, Gagauz, Anatolia Turks, Azeris (Azerbaijanis), Kurds, Kazan (Middle Volga) Tatars, Bashkirs, Mordvins, Chuvash, Udmurt, Eastern Ukrainians, Northern Ukrainians, Bosnians, Russian Federation