The Mythology and Folklore Database
L113 - Married to a werewolf (ATU 363).




82 Myths, Legends and Folktales
80 Unique Narratives for Motif L113
50 Cultures & Traditions where L113 is told
190 Mythemes Indexed
0 Sub-Motifs of Motif L113


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 Motif Summary  -   Motifs with Simlar Dispersals  -    Map of Myth Distribution   -   List of Traditions  -   Myths



Source Data from Berezkin's Analytics Catalogue, if using this data please acknowledge and link to it here:
Ю.Е. Березкин, Е.Н. Дувакин. Тематическая классификация и распределение фольклорно-мифологических мотивов по ареалам. Аналитический каталог.



Summary of Motif

A girl who has long rejected suitors falls in love with a handsome man who turns out to be a demon, a werewolf, or a dangerous animal. The girl barely escapes or perishes.

Berezkin category: Adventures: Monsters and evil spirits

This is of motif type Adventures and tricks and is part group 10, Adventures



Top 10 Motifs with similar dispersal patterns

MotifSimilarityMotif Summary
K14097.66%Travelling with his sister or brother, the young man regularly kills his saviours and helpers, exposing himself to ever new dangers.
L11697.02%A cannibal (old man, gypsy) grabs a girl, carries her away, and forces her to sing (beg). People recognise the girl's voice and free her.
M11296.80%A zoomorphic character refuses to dig, clean or fill a source of drinking water and is forbidden to use the water. {List of African variants in Paulme 1977. In cases where the protagonist is a kite, hawk, buzzard, saker (and possibly also an eagle), it is most likely the same bird - Buteo buteo from the hawk family}.
M18196.20%Two characters are invited to a festival. (On the way and) upon arriving at the destination, one deceives the other.
M180A95.62%A zoomorphic character invites another to visit, but demands that they wash their hands or feet before eating. This proves impossible, and the guest leaves hungry.
H36B95.54%The chameleon is to blame for the fact that man is mortal or that he must labour; he loses the trust placed in him by the deity. See motif H36.
E30B95.49%A man makes a figure or receives a woman. She comes to life and becomes his wife.
L4595.34%A strong character traps a weak one and leaves someone to guard the prey. The guard fails to fulfil his duties (usually tricked by the weak one), and the weak one escapes. {African borrowings in America are difficult to distinguish from possible local cases}
M10595.31%The character hides his mother (wife, mother-in-law), but tells another that he has killed or sold her, or demonstratively leads her away to be sold, but lets her escape. See motif M104.
L106A95.30%The antagonist makes formally justified but essentially unfair demands on the hero. The hero either fulfils them or is punished by the antagonist. Then the antagonist takes an object or animal belonging to the hero, but cannot return it and is punished equally or more severely.

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Map of Motif Dispersal

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This motif has been recorded in 50 traditions: Dinka, Atuot, Nuer, Shilluk, Anuak, Acoli (Acholi), Lur (Alur, Luri), Lango, Mangbetu (Ngbetu), Mangbutu, Moru, Madi, Lugbara, Lendu (=Bale), Masai, Shone (Shona, =Mashona, =Karanga), Makoni (Shoni dialect), Remba (=Hungwe, Wahungwe); Zezuru, Rozwi, Ndau (Vandau), Malawi (incl Nyanja, Banyanja, Manganja), Tumbuka (incl Henga), Nsenga, Matengo, (Ba)Wenda, Nyatutu, Kiniramba, Isanzu, Chagga (Jagga; incl Wasu), Pare, Digo, Kikuyu, Chuka, Embu, Emberre, Mwimbe, Ganda, (Ba)Nyoro, Nyankole, Masaba (Gisu), Luia (=Luyia, Haya, Luhya, Bantu Kawirondo; incl. Vugusu, Maragoli), Bemba (Wemba, Babemba; incl Ambo, Lala, Lamba, Bisa), Holoholo, Kaonde, Sakata, Congo (Koongo, Bacongo; incl Vili, Fioti, (Ma)Yombe, MuKunyi), Ndombo, Luango (Loango), Zombo (Sambo), Laadi (Laari), (Ba)Fioti, Woyo (Kiwoyo), Ronga, Mbundu (Umbundu, Kimbundu, Chimbundu, Ovimbundu), Kwanyama, Owambo (=Ambo), Tswana (Chwana), Suto (Soto; incl Pedi, Mbire), Enenga, Mpongwe, Kuta (Koto), Nkomi, Masango, Mindumu, Mbede, Mitsogo, Bawunga, Ndumu (Ndumbo), Duma, Teke, (B)wende, Tiv, Bamum (Bamun), Mungaka (Mgaka, Bali), Beba, Anaguta, Bete (Mbete, Karang), Ekoi, Nyang, Vute (Wute), Jukun, Chamba, Bamileke, Kwotto, Kirri; Denya (Nyang), Cross-River: Efik, Ibibio, Anaang (Anang), Ikom, Abua, Hausa, Other West Chadic: Ngas, Bolanchi, Tangale, Zaghawa, Igbo (Ibo); Isoko, Urhobo, Yoruba; incl Ife), Nupe, Bini (Edo), Engenni, Chamba, Dakka, Kukuruku, Mandingo (Manden, incl San, Samo), Kagoro, Bambara (Bamana), Malinke, Kassonke, Diula, Soninke, Kru: Kru proper, Sapo (Sapã), Grebo, Kran (Krahn, Guere-Krahn; incl. Putu, Tchien), Bete, Neyo, Wobe, Devoin (Dey), Belle (Kuwaa), Bassa, Sikon, Songhai, Northern Gur (Oti-Volta): Mamprussi, Dagomba, Dagari (Dagara; incl Lodaga), Bassari, Mosi, Nankanse, Konkomba, Moba; Ditammari, Nyende, Bulsa (pl Builsa, Bulo), Fula (Fulbe, Fulani, Pular), Tenda (incl Bedik, Basari), Biafada, Nalu, Pajadinka, Badyara (Badiaranke), Kapingamarangi, Nukuoro, Truk, Eastern Fayu, Losap, Pulap, Puluwat, Mortlock (incl. Satawan), Ponape, Ngaik, Mwoakil (Mokil), Kusaie (Kosrae), Tamil, Muthuvan, Marvar, Tamils, Spain, Spaniards, Maltese, Estonians, Western Sami, Darkhad, Japanese folklore outside of Ryukyu, Waiwai, Kono (=Kone), Wai, Kpelle (incl Kono), Mende, Loma, Gbunde (Gbandi, Bandi), Wolof, Mukulu (Mokilko), Italians: Central (Toscana, Umbria, Marche, Lazio), Morocco, Senegal


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