The Mythology and Folklore Database
J44 - The collapsed bridge.




161 Myths, Legends and Folktales
157 Unique Narratives for Motif J44
75 Cultures & Traditions where J44 is told
273 Mythemes Indexed
0 Sub-Motifs of Motif J44


Please log on to view the narratives.




 Motif Summary  -   Motifs with Simlar Dispersals  -    Map of Myth Distribution   -   List of Traditions  -   Myths



Source Data from Berezkin's Analytics Catalogue, if using this data please acknowledge and link to it here:
Ю.Е. Березкин, Е.Н. Дувакин. Тематическая классификация и распределение фольклорно-мифологических мотивов по ареалам. Аналитический каталог.



Summary of Motif

The hero lures the enemy onto a rickety bridge. The enemy falls into the water, into the abyss (see motif J46). See motif J52.

Berezkin category: Avenger heroes: The amerinday cycle

This is of motif type Adventures and tricks and is part group 10, Adventures



Top 10 Motifs with similar dispersal patterns

MotifSimilarityMotif Summary
H2096.91%All the fish or (rarely) molluscs were concentrated in one place. A certain character allows them to escape or deliberately releases them into rivers or the sea. {In some cases, the theme of the spread of fish concentrated in a small container is difficult to separate from the theme of the spread of water. In any case, neither of these exist in Africa}.
J1396.35%Not one woman or girl, but two sisters (or more than two, but only two play an important role in the narrative) wander and meet an unwanted deceiver instead of a desired husband or fiancé, or encounter dangerous creatures. See motif J12.
J1296.24%A girl or two sisters wander, usually in search of a suitable groom or husband who has left or lives far away. Along the way or upon reaching their destination, they encounter false suitors. (Traditions in which two heroines travel rather than one are highlighted in bold (motif j13).
B5196.17%Thanks to a deliberate lie, Thunder did not learn from the bloodsucking insect that it had drunk human blood.
B2996.01%People turn into animals, birds or stones, living beings acquire their current characteristics at a general meeting, festival, after a festival, after performing a ritual or after defeating a common enemy.
M2295.92%A long-necked bird living near water (crane, heron, bittern, swan) helps a fugitive escape from his pursuer (indicated in brackets). See motifs J44-J46 (a long-legged bird helps cross the river, drowns the pursuer; the pursuer is most often a bear).
L6195.26%The character eats himself, guts himself, or kills himself in order to be eaten.
M8A95.17%Animals, and more often birds, find it difficult to break through a rock from the outside or inside, make a hole in the tree, in the body of an absorber creature, tear fetters, etc., to help a character or get out of the confined space by yourself. The list <b><i>includes</i></b> groups whose texts deal with the exit of the first ancestors to earth from a confined space.
B2894.83%Travelling from one locality to another, the character successively transforms people into birds and animals, into stones, sanctuaries (or transforms monstrous animals into ordinary ones), establishes cultural norms, determines the biological characteristics of creatures, the appearance of the locality, etc.
J5994.76%To reach the sky, one must shoot an arrow that will pierce the vault of heaven. See motif J58; see motif J59A: a man flies after or on an arrow (without the motif of an arrow piercing the vault of heaven).

 See more...

Please log on to view the narratives.



Map of Motif Dispersal

Click here for a clustered map

Drag the map around by clicking and using the mouse, use the wheel to zoom



This motif has been recorded in 75 traditions: Melanesians and Papuans of Central Solomons: Vella la Vella (Bilua language), Shortland islands (Mono language), San Cristobal, Saint Georgia, Eddystone, Vangunu, Batak (Toba, Dairi), Eastern Arunachal Pradesh: Abor (incl Minyong, Shimong, Padam, Pasi, Panggi), Apa Tani (Apatani), Bori, Bugun, Dafla (=Nyishi, Nisi, Nishing, incl Tagin), Gallong (=Galo, Adi), Mishmi, Slovakians, Slovaks, Russians: Central part of ethnic territory as in A.D. 1500 (Tver, Yaroslavl, Moscow, Kostroma, Vladimir, Ivanovo, Nizhny Novgorod, Ryazan, Tula, Kaluga, Smolensk provinces; in case of absence in other areas also Russians in Vyatka, Perm, Kazan provinces), Iranian literary tradition (including Avesta, Pahlevi scripts, Sah-nameh, Marzban-nameh); Zoroastrians of Iran, Indian Parsees, Zoroastrianism, Georgians, Central Yakuts (Sakha), Tungus (Evenki): Baikal region, Evenks, Udeghe, Oroch, Nivkh, Nunivak Island, Chipewyan, Tutchone, Koyukon, Tanana, Gwich'in (Kuchin, Loucheux), North Alaskan Inupiat, Micmac, Wawenock, Abenaki, Penobscot, Montagnais, Menominee, Five Nations Iroquois (Seneca, Mohawk, Onondaga, Oneida, Cayuga), Sarsee (Tsuu T'ina), Arapaho, Osage, Pawnee, Tonkawa, Comanche, Plains Cree, Plains Ojibwa, Assiniboine, Crow, Shuswap, Thompson (Nlaka'pamux), Lushootseed (Puget Sound: Puyallup, Nisqualmi, Snuqualmi, Duwamish, Muckleshoot, Snohomish, Skagit), Western Sahaptin (Upper Cowlitz, Klikitat, Tenino, Umatilla, Yakima, Wallawalla), Nez Perce, Quinault, Kalapuya, Takelma, Okanagon, Sanpoil, Lower Chinook (Chinook proper), Yurok, Wailaki, Mattole, Lassik, Sinkyone, Cahto, Yuki (Yuki proper, Coastal Yuki, Huchnob), Pomo, Maidu, Nisenan, Konkov, Northern Paiute (=Paviotso), Western Shoshone, Gosiute, Papago, Sibundoy: Kamsa, Ingano (Inga), Waiwai, Napo (Quijo), Kanelo (“Jungle Kechua”), Zaparo, Shuar, Achuar (Shiwiar), Aguaruna, Huambiza, Barasana, Taibano, Macuna, Desana, Siriano; Tatuyo, Bara, Tuyuca, Kabiyari, Yukuna (Yucuna), Urubu (Urubu-Kaapor), Tenetehara, Amuesha, Bolivian Guarani: Chiriguano (including assimilated Chane Arawaks), Pauserna (=Guarasu), Guarayu, Tapiete, Siriono, Nambikwara, Bororo, Caraja, Sherente, Kaingang, Xokleng, Guarani of Paraguay and Brazil: Caygua, Mbia, Apapocuva, Nyandewa, Chiripa, Selknam, Manao, Katawishi (Teffe lake); groups of uncertain affiliation mostly from Rio Jamunda, Upper Chinook: Wasco, Wishram, Clackamas, Kathlamet


Please log on to view the narratives.