The Mythology and Folklore Database
L72I - Discarded soap.
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Source Data from Berezkin's Analytics Catalogue, if using this data please acknowledge and link to it here:
Ю.Е. Березкин, Е.Н. Дувакин. Тематическая классификация и распределение фольклорно-мифологических мотивов по ареалам. Аналитический каталог.
Summary of Motif
Fleeing for his life, the character throws soap behind him, which turns into an obstacle for his pursuer (a slippery mountain, river, etc.).Berezkin category: Adventures: Monsters and evil spirits
This is of motif type Adventures and tricks and is part group 10, Adventures
L72 has 12 other sub-motifsL72. While fleeing, the character throws small objects behind him, which turn into powerful obstacles in the path of the pursuer, or (rarely) the pursuer creates such obstacles in the path of the fugitives. (Cf. SUS 1979, No. 313H = AA 313I, p. 114: escape by throwing magical objects, an episode in various types of fairy tales). L72a. Fleeing for his life, the character throws behind him a comb (brush), which turns into an obstacle (almost always thickets) in the path of his pursuer. (In South America, this motif is most likely of European origin). See Andreev 1929, No. 313.I. L72b. Fleeing for his life, the character throws small objects behind him, which turn into powerful obstacles in the path of his pursuer. One of the objects thrown is a whetstone. (In one of the Udmurt variants, the objects thrown destroy the obstacles in the character's path). See motif L72. L72c. Fleeing for his life, the character throws a mirror behind him, which turns into an obstacle for his pursuer (ice, lake, etc.) or attracts his attention and causes him to lose time. (In the Udmurt version, objects destroy obstacles in the character's path). L72d. Fleeing for his life, the character throws behind him a pair of scissors, which turn into some kind of obstacle in the path of his pursuer. L72e. In order to overcome the obstacles created by the fleeing hero, the pursuer is forced to return home for the necessary tools. L72e1. In order to destroy the obstacles created by the hero, the pursuer uses tools. Before continuing the chase, he is forced to spend time taking them home or hiding them, otherwise animals and birds will steal them. L72f. Fleeing for his life, the character throws behind him the entrails or stomach contents of an animal, which become an obstacle in the path of his pursuer. L72g. Fleeing for his life, the character throws salt behind him, preventing his pursuer from continuing the chase. L72h. Fleeing for his life, the character throws behind him a tool for kindling fire (flint, tinder, match, kindling), which becomes an obstacle in the path of his pursuer. (A discarded flint is counted if it serves to strike fire, and is not counted if it is simply a hard stone that turns into a mountain). L72i. Fleeing for his life, the character throws soap behind him, which turns into an obstacle for his pursuer (a slippery mountain, river, etc.). L72j. Fleeing for his life, the character throws behind him an awl or needle, which turns into many awls or needles. L72k. Fleeing for his life, the character throws a jar of oil behind him. Spilling out, it turns into a lake or river. (Only North American materials are taken into account. In the Old World, the motif is rare and unsystematic. In North America, it most likely refers to hair oil in all cases). Click here if would you like to see a distrbution map combining all of L72's motifs? |
Top 10 Motifs with similar dispersal patterns
| Motif | Similarity | Motif Summary |
|---|---|---|
| M191B | 99.22% | A man does good (does no harm) to a snake (fish, lion) and benefits from it. His son (less often someone else or himself) wounds the snake (usually cuts off its tail) and, if it is his son, dies from the bite. The snake refuses to continue its relationship with the man, and neither of them will forget their loss. |
| K120A5 | 99.17% | To obtain a woman, a man lures her onto a ship (boat, flying machine, etc.) and takes her away. |
| J32B | 98.99% | In order to accomplish what he wants, the hero prolongs the night by changing the behaviour of the character on whom the alternation of day and night depends. |
| M39A2D | 98.99% | Fools plant meat, horns, or bones in the hope of raising animals. |
| K33A7 | 98.93% | After the death of a woman, her daughter or son advises her father to marry a neighbour, teacher, etc., who usually persuades the teenager to give such advice. After marrying the widower, the new wife begins to tyrannise her stepdaughter or stepson. |
| K72A | 98.91% | The king notices that his prohibition on lighting fires at night has been violated. |
| M170A | 98.86% | The predator accuses the herbivore of sin and eats it. |
| I25B | 98.73% | This refers to women who work without the simplest tools, using parts of their bodies instead. |
| K92B | 98.64% | A daughter tells her father (rarely her brother) that she loves him like salt (or that salt is more important than him, etc.). He sends his daughter away (gets angry with his sister), but then realises she is right. |
| K155B | 98.47% | A girl lets down her hair, which another character uses to climb up to her. |
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Map of Motif Dispersal
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This motif has been recorded in 21 traditions: Dards (Kalash, Kho, Kohistani, Shina, Pashai), Spain, Spaniards, Sicily, Sicilians, Sardinia, Corsica, Sardinians, Corsicans, France, Poles, Greeks (modern), Balkarians, Bulgarians, Balkarians, Macedonians, Balkarians, Albanians, Balkarians, Russians: Central part of ethnic territory as in A.D. 1500 (Tver, Yaroslavl, Moscow, Kostroma, Vladimir, Ivanovo, Nizhny Novgorod, Ryazan, Tula, Kaluga, Smolensk provinces; in case of absence in other areas also Russians in Vyatka, Perm, Kazan provinces), Armenians, Anatolia Turks, Kurds, Mordvins, Wawenock, Abenaki, Penobscot, Guajiro, Pasco, Junin, Huancavelica departments: Central Peru, Sierra (Kechua-speaking communities in Spanish sources XVI-XVII centuries), Ayacucho department (Kechua-speaking communities; Spanish sources of XVI-XVII centuries), Kechua-speaking communities of Apurimac, Cuzco, Arequipa, Puno departments; Spanish sources of XVI-XVII centuries; Callawaya (Kechua with Pukina substratum), Kordofan