The Mythology and Folklore Database
L15B1 - Deer antlers – a weapon against evil.
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Source Data from Berezkin's Analytics Catalogue, if using this data please acknowledge and link to it here:
Ю.Е. Березкин, Е.Н. Дувакин. Тематическая классификация и распределение фольклорно-мифологических мотивов по ареалам. Аналитический каталог.
Summary of Motif
In the battle between positive and negative creators, the positive one chooses the deer horn as a weapon – usually because this is the only weapon that the enemy fears.Berezkin category: Adventures: Monsters and evil spirits
This is of motif type Cosmology and etiology and is part group 8, Queer and monstrous beings, creatures, objects and loci, folk beliefs related to particular phenomena and objects
L15 has 21 other sub-motifsL15a. The character's vulnerable spot is located on the surface of the body, but not in vital internal organs. L15a1. The character's vulnerable spot is located at the bottom of the foot (heel, toe, sole, ankle). L15a2. The human body is tempered (in a furnace, etc.) to make it invulnerable, but one place remains unprotected. L15b. The character can only be killed with a specific plant, which is not usually used for making weapons. L15b1. In the battle between positive and negative creators, the positive one chooses the deer horn as a weapon – usually because this is the only weapon that the enemy fears. L15c. A dangerous character asks the hero how he can be killed, what he is afraid of. The hero lies, saying that the named object does not harm him. L15c1. A dangerous character naively reveals what he fears or what his life consists of, and the hero takes advantage of this. L15d. The object in which the character's life is concentrated is separate from him. The character dies when this external form is destroyed. L15d1. When a character is asked to reveal the location of his soul (death, power), he first gives an incorrect answer, and the questioner usually begins to show signs of attention to the corresponding locus or object. L15e. The hero's life is in a certain object, usually his weapon. An enemy steals or discards this object, the hero weakens or dies, his friends or brothers return the object, and the hero comes back to life. {In ATU, this is motif 302B; at least some of the references cited by Uther do not contain the motif in our formulation (not found in Japan or Burma); original publications are required}. L15e1. An ageing character and/or one who senses his death approaching instructs his son, a warrior, or his subjects to throw his cold weapon (sword, sabre or axe) into the sea, a lake or a river. Cf. motifs L15E and L15e2. L15e2. One character instructs another to throw a certain object (usually a sword or sabre) into the water. The messenger claims to have carried out the task, but cannot say what happened as a result, so it becomes clear that he has lied. L15f. A young woman or man dies as soon as her or his jewellery (rarely: organ) is stolen, and comes back to life when the jewellery is returned or when the antagonist removes it. L15g. A person's life is connected to an object that can be burned. As soon as the object is burned, the person dies. L15g1. A person knows a secret on which the life of a loved one (husband, son, wife) depends and, after a quarrel, commits an act that is insignificant to an outside observer but leads to the immediate death of the other. L15h. The object in which the character's life is concentrated is enclosed in another, which is enclosed in a third, and so on (like an egg in a duck, a duck in a hare, a hare in a chest). Or the animal in which the character's soul is enclosed transforms into other animals as it flees. There are three or more enclosures or transformations. L15h1. The object in which the character's life is contained is enclosed in another, which is enclosed in a third (and so on). The final container of the soul is an egg (to kill the character, the egg must be broken over his head). l15h2. The object in which the character's life is contained is enclosed in another, which is enclosed in a third (and so on). The final repository of the soul is a bird (a chick, several birds or chicks). l15h3. The object in which the character's life is concentrated is enclosed in another, which is enclosed in a third (and so on). The final vessel of the soul is an insect or worm. l15h4. The object in which the character's life is concentrated is enclosed in another, which is enclosed in a third (and so on). The final container of the soul is a needle, which the hero breaks. L15i. A man dies or loses his strength (or pretends to) if his hair is cut or pulled out. L15J. The character can only be killed by fire. Click here if would you like to see a distrbution map combining all of L15's motifs? |
Top 10 Motifs with similar dispersal patterns
| Motif | Similarity | Motif Summary |
|---|---|---|
| F45A1 | 94.87% | A woman, against her will, conceives from the wind. |
| K104 | 94.87% | The youngest of the brothers stays at home, wounds a red swan or duck, and follows its trail. |
| M75A | 94.40% | The character lures a veteran to avenge his fall from the sky. Either the (potauatomi) shovel drops the character or leaves him on top to avenge being lured and caught. |
| M66A | 93.91% | After eating a certain food, the trickster leaves a mountain of excrement that is larger than himself. |
| M13A | 93.42% | A deity and a human meet so that the former can fulfil the latter's request. As a result, the human is turned to stone. Usually (except for the Squamish), one of the supplicants wants eternal life and is turned to stone. See motif M13. |
| B42A | 93.03% | Hunters chase a bear across the sky and kill it in August-October. The bear's blood or fat falls to the ground in the form of dew or colours the foliage red. See motif B42. |
| H37B | 93.03% | One character gives another his power (usually a skunk gives his volley). The other wastes the resource unnecessarily to test its effect. Usually, when the need arises, the resource no longer works. |
| L75 | 92.61% | One of two brothers is the embodiment of evil; at birth, he cuts open his mother's body, killing her. |
| M53C | 92.18% | trickster, inviting birds to dance around him with their eyes closed, kills them one at a time and threatens to turn red at the one that opens their eyes; this is an empty threat, or for a bird that opens eyes and eyes have really turned red ever since. |
| G30 | 92.04% | A long penis is cut into pieces, which turn into many edible plants or different types of trees. Cf. motif B53. |
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This motif has been recorded in 3 traditions: Huron (incl Wyandot), Five Nations Iroquois (Seneca, Mohawk, Onondaga, Oneida, Cayuga), Tuscarora