Berezkin Analytical Catalogue · Motif

M45A — The old man and the beasts

113 Myths, legends and folktales
113 Unique narratives for motif M45A
49 Cultures & traditions where M45A is told
3 Sub-motifs of motif M45A
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Source data for narratives and traditions is drawn from Berezkin’s Analytical Catalogue. If you use this data, please acknowledge and link to it: Ю.Е. Березкин, Е.Н. Дувакин. Тематическая классификация и распределение фольклорно-мифологических мотивов по ареалам. Аналитический каталог.

Summary of motif

Overview

A person is sleeping or pretending to be asleep or dead. Animals take him for a dead man - they mourn him, carry him to bury him, they are going to eat it, etc. A person beats the crowd and/or obtains benefits.

Berezkin category: Adventures: Tricks and episodes

This is of motif type Adventures and tricks and is part of group 11, Tricks and competitions won thanks to deception, absurd and obscene behavior.

M45 has 3 other sub-motifs

Related

M45.  When a zoomorphic character falls asleep or pretends to be dead (seriously ill), the animals he usually hunts gather to meet him. He catches or kills them, or they run away at the last minute.
M45a.  A person is sleeping or pretending to be asleep or dead. Animals take him for a dead man - they mourn him, carry him to bury him, they are going to eat it, etc. A person beats the crowd and/or obtains benefits.
M45b.  The old man carries a trough and lies down to rest, covered with it. The animals take the trough to the table and bring food. The old man gets up, the animals run away, the old man gets the food.
M45c.  The character advises the other person to plant or sow boiled or roasted seeds or tubers, who follows the advice.

🌐 See a combined distribution map for all of M45’s motifs

Top 10 motifs with similar dispersal patterns

Phylogeny
MotifSimilarityMotif summary
B72B99.27%A girl or, less commonly, a boy turns into a bird after his mother (father, guardian) refuses to give him water or food or otherwise mistreats him.
K29C98.41%They hope to kill the hero by knocking a tree down on him or tying him to a tree. He comes back alive, dragging the tree behind him.
M3B98.40%Trying to grab a hare, another animal tears off (bites) its tail. It's been short ever since.
K32E98.22%A negative character, object or locus is contrasted with one or two positive ones, such as wood with gold and silver.
C8B97.86%A brother and sister (or mother and son) find themselves alone, without marriage partners. Both of them (or only the brother, son) refuse to marry, but do so after accepting each other (or the brother accepts the sister, the son accepts the mother) as strangers. They give birth to new people.
B4397.57%Elements of the landscape or parts of the universe are created from the body of the original being.
M99A197.56%The character is going to pierce all the birds with their beaks (to string them on a rope) or cut them off altogether.
M14797.25%A weak animal tells a strong animal that everyone is afraid of him, the weak one, and suggests testing this. He walks in front of the strong animal, everyone runs away, and the strong animal believes that they are running away from the weak one.
M57C197.14%A man fights a bear or (Malayali) leopard and makes another person believe that this animal is defecating with gold.
B116A97.13%A person or animal eats a sacred book or its remains. During the ritual, this knowledge is actualised in oral speech, in the sounds of a musical instrument made from part of an animal's body, or in parts of an animal's body used for divination.

See the 100 most similar distributions →

Map of motif dispersal

Distribution

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Traditions

49 recorded

This motif has been recorded in 49 traditions: Nuba, Ngbakka, Mbum (incl Mbai), Mundang, Fali, Tupuri, Maya (=Bali), Nyong, Tiv, Bamum (Bamun), Mungaka (Mgaka, Bali), Beba, Anaguta, Bete (Mbete, Karang), Ekoi, Nyang, Vute (Wute), Jukun, Chamba, Bamileke, Kwotto, Kirri; Denya (Nyang), Yoruba; incl Ife), Nupe, Bini (Edo), Engenni, Chamba, Dakka, Kukuruku, Sangir Islands, Bali, Lombok, Northern Luzon: Apayao, Bontoc, Nabaloi (Ibaloi), Ifugao, Igorot (highland people, not specified), Ilocan, Ilongot, Isneg, Kalinga, Kankanay, Tingian (Tinggian, Bilongan Itneg); Ibanag, Kasiguran Agta, Keley-i Kallahan, Thai of Vietnam, Tai Lue, Khao (Kho, Tai Don, White Tai), Tai Dam (Black Tai), Nung; Zhuang, Buyi; Shui, Shan, Ahom, Khampti, Khmu (Kammu), Puoc, Santali, Turi, Mahli, Northern Munda of Kharwar branch: Birhor, Ho, Mundari, Kol, Asur (including Agaria, Kol, Birjhia), Bhumij, Kharia, Chin-Naga: Ao, Mao, Sema, Zeme, Kolren, Kom, Lhota, Rengma, Angami, Kabui, Tangkhul, Koirenf, Garo (Atchik), Kachari (Bodo, incl. Lalung), Dimasa, Tripuri, Riang (of Tripura), Khami, Riga, Mori, Kuki, Chiru, Falam (Hallam), Chin (Meitei =Manipuri, Khami, =Kumi), Lakher, Mizo (Lushei), Anal, Pawi (Lai), Purum, Koireng, Milhiem, Kolhen, Mru, Mikir (Karbi), Oraon (Kurukh), Indian literary tradition (Vedic, Brahman, Purana, Indian Buddhism, Hinduism, Ramayana, Mahabharata, Panchtantra, Jatakas); iconography of Hindu temples, Assamese, Meo (Hmong) of Thailand, Laos and Northern Vietnam, Hungarians, Tats, Georgians, Kets, Central Yakuts (Sakha), Dolgans, Tungus (Evenki): Baikal region, Evenks, Tungus (Evenki) of China (Solon, Birar, Oroqen, Manegir), Evenks, Tungus (Evenki): Russian Far East, Evenks, Western Tungus (Evenki), Western Siberia Tungus (Evenki): Sym River, Ket River, Ainu, Udeghe, Oroch, Uilta (Orok), Nanai, Olcha (Ulch), Negidal, Forest (Upper Kolyma) Yukaghir, Polar Inuit, Aztec; Aztec and Teotihuacan iconography, Lao, Toto, Rabha (northern Western Bengalia), Ilimpii Tungus/Evenki, Yerbogachen Tungus/Evenki, Tungus/Evenki of Nercha - Chita area, China, Russian Federation

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