Berezkin Analytical Catalogue · Motif
M181A — Fire at sunset.
Source data for narratives and traditions is drawn from Berezkin’s Analytical Catalogue. If you use this data, please acknowledge and link to it: Ю.Е. Березкин, Е.Н. Дувакин. Тематическая классификация и распределение фольклорно-мифологических мотивов по ареалам. Аналитический каталог.
Summary of motif
OverviewThe character believes that unattainable natural objects are accessible cultural objects. Usually agrees to go after fire upon seeing a red sunset, fireflies, etc.
Berezkin category: Adventures: Tricks and episodes
This is of motif type Adventures and tricks and is part of group 11, Tricks and competitions won thanks to deception, absurd and obscene behavior.
M18 has 2 other sub-motifs
RelatedM18. The character turns into an object of fishing or hunting and presents himself as a target. The fisherman or hunter does not harm them, but they take away what they use: arrows, darts, harpoons, hooks, bait; or they catch fish, having turned themselves into hooks; or they are caught but escape death by taking on human form again.
M18a. The character becomes the object of fishing or hunting, presenting himself as a target for enemies. Numerous arrows, darts, and harpoons stick into his body without causing harm, and he carries them away. See motif M18.
M18b. The character turns into a fishing object in order to carry away the hook with which he is caught or the spear with which they try to harpoon him, or he turns into a hook to catch fish. See motif M18.
Top 10 motifs with similar dispersal patterns
Phylogeny| Motif | Similarity | Motif summary |
|---|---|---|
| J54A | 98.00% | Two women, both or one of whom are animal characters, live together and have children. One of them kills and eats the other or is about to do so. The son of the murderer kills his mother for this, remains the sworn brother of the son of the murdered woman, or the children of the murderer and the victim run away together. Cf. motif J54B. |
| M157A1 | 96.67% | The character proves the absurdity of another's statements by responding that his or her father (or another male or male animal) has given birth or is about to give birth, or that he or she is menstruating. |
| H36 | 95.97% | A character is sent to deliver instructions or certain items. The messenger distorts the message, brings the wrong items, loses what he is carrying, delays (and is overtaken by another messenger). This has important consequences for him and for the future lives of the people. |
| M29G | 95.31% | See the motives in square brackets. They include traditions in which the hare/rabbit appears only as a trickster, and another trickster (usually a fox or jackal) often occurs. |
| M29G1 | 94.82% | In episodes involving deception, ridiculous, obscene, or antisocial behavior, the hare or rabbit is the main trickster. Traditions in which 1) a hare or rabbit occurs only once as a trickster, and another trickster (usually a fox/jackal/coyote) is typical; 2) Mesoamerican traditions in which a small rabbit is associated with a small a set of episodes and a high probability of recent African influences. See the motives in square brackets. |
| I116 | 94.56% | The Milky Way separates the seasons of the year or worlds (dry from wet, sky from earth, etc.). |
| B86 | 93.80% | To reach the sky (the moon, stars, sun), people build a ladder or tower consisting of separate modules (logs, poles, bricks, etc.), but the structure collapses. |
| B3 | 93.54% | At first, the earth is soft, resembling a swamp. |
| I41A | 93.25% | A rainbow rises from an anthill or termite mound. |
| H6BB | 93.16% | A character is sent to deliver a certain object or substance to people, the possession of which is essential to them. The messenger loses these objects or brings others. Usually, this refers to the ability to be reborn after death. Traditions not related to the explanation of human mortality are marked with an asterisk*. |
See the 100 most similar distributions →
Map of motif dispersal
DistributionDrag the map to pan, use the scroll wheel to zoom — choose a texture or projection below
Traditions
16 recordedThis motif has been recorded in 16 traditions: Arabs of Sudan, Sudanese, Dinka, Atuot, Nuer, Shilluk, Anuak, Congo (Koongo, Bacongo; incl Vili, Fioti, (Ma)Yombe, MuKunyi), Ndombo, Luango (Loango), Zombo (Sambo), Laadi (Laari), (Ba)Fioti, Woyo (Kiwoyo), Ronga, Fang (Pangwe), Eton, Bafia, Batanga, Benga, Bube (Bubi), Buheba, Yaunde (Ewondo), Yebekolo, Koko, Bulu, Beti (Beti-Bulu), Sekiani, Eghap, Hausa, Kanuri, Songhai, Northern Gur (Oti-Volta): Mamprussi, Dagomba, Dagari (Dagara; incl Lodaga), Bassari, Mosi, Nankanse, Konkomba, Moba; Ditammari, Nyende, Bulsa (pl Builsa, Bulo), Katu (KΓΆdu); Bru (incl. Van Kieu, Khua), Khmu (Kammu), Puoc, Kachin (Singpho), Chak, France, Mari (Cheremis), Chuvash, Congo