Berezkin Analytical Catalogue · Motif
L54 — The boiling lake.
Source data for narratives and traditions is drawn from Berezkin’s Analytical Catalogue. If you use this data, please acknowledge and link to it: Ю.Е. Березкин, Е.Н. Дувакин. Тематическая классификация и распределение фольклорно-мифологических мотивов по ареалам. Аналитический каталог.
Summary of motif
OverviewTo overcome the disaster, hot stones or ashes are thrown into the water.
Berezkin category: Adventures: Monsters and evil spirits
This is of motif type Adventures and tricks and is part of group 10, Adventures.
Top 10 motifs with similar dispersal patterns
Phylogeny| Motif | Similarity | Motif summary |
|---|---|---|
| K4 | 96.51% | The character climbs a tree or rock to get a bird, bird eggs, or chicks, climbs into a bird's nest, comes into conflict with another character, and/or cannot climb down. See motifs K1, K2A. Traditions in which the nest destroyer is a woman are highlighted in italics; bold italics indicate those in which the character falls into the trap not through the fault of another person, but by accident, or, having climbed up to destroy the nest, does not fall into the trap at all, although he quarrels with his companion; an asterisk* marks those in which the character remains in the trap (undergoes a metamorphosis). |
| J12 | 96.47% | A girl or two sisters wander, usually in search of a suitable groom or husband who has left or lives far away. Along the way or upon reaching their destination, they encounter false suitors. (Traditions in which two heroines travel rather than one are highlighted in bold (motif j13). |
| J59 | 95.69% | To reach the sky, one must shoot an arrow that will pierce the vault of heaven. See motif J58; see motif J59A: a man flies after or on an arrow (without the motif of an arrow piercing the vault of heaven). |
| F53A | 94.59% | The husband hides his face from his wife because she does not know that he is a bat or an owl. |
| J44 | 93.44% | The hero lures the enemy onto a rickety bridge. The enemy falls into the water, into the abyss (see motif J46). See motif J52. |
| F18A | 93.33% | The penis of a male character is much longer than normal or becomes so. During intercourse, it usually crawls towards the woman like a snake. (Only texts with a focus on authenticity are included, not anecdotes). |
| M63 | 92.90% | Before reaching the part of the body that is most suitable for certain purposes, others are named or tried. (Cf. Motive F22: The enumeration is related to finding the partner's genitals). |
| J58 | 92.40% | Characters shoot arrows (darts) that stick into each other and form a chain. They usually climb up the chain to the upper world. |
| F58 | 92.34% | The character spends the night with a group of women, concealing his nature and/or intentions. In the end, he is either identified and punished, or he slips away to continue his mischief. |
| M8A | 92.26% | Animals, and more often birds, find it difficult to break through a rock from the outside or inside, make a hole in the tree, in the body of an absorber creature, tear fetters, etc., to help a character or get out of the confined space by yourself. The list <b><i>includes</i></b> groups whose texts deal with the exit of the first ancestors to earth from a confined space. |
See the 100 most similar distributions →
Map of motif dispersal
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Traditions
15 recordedThis motif has been recorded in 15 traditions: Western Australia: Walmanjeri, Njolnjol (Njulnjul, Nyul-Nyul), Worora, Kariara (Karierra), Karadjari (Karadjeri, Garadjari), Djaberdjaber (Djaberadjabera), Ngarluma, Wiilman (Wheelman), Bibbulmum (Pebelman), Burong (Panaka), Torricelli family: Valman, Samap, Arapesh (Upper, Coastal), Monumbo, Lilau, Ngaimbom; Moando (Banara); Menya, Olo, Lepcha, Gwich'in (Kuchin, Loucheux), Lenape (Delaware), Menominee, Wichita; Spiro Mound iconography, Carrier, Quileute, Chemakum (Hoh), Quinault, Guajiro, Paresi, Bororo, Cayapo (incl. Kubenkranken, Pau dβArco, Shikrin or Xikrin), Upper Chinook: Wasco, Wishram, Clackamas, Kathlamet