H6D — Stolen immortality.

Having obtained a means of ensuring immortality, the character falls asleep or leaves the means unattended. At this time, another character steals the means.

Berezkin category: Paradise Lost

This is of motif type Cosmology and etiology and is part of group 4, Origin of death, diseases and hard life.

H6a.  Mortal humans are contrasted with plants, which regularly shed their bark, bloom in spring after winter dormancy, or reproduce vegetatively. See motif H4.
H6b.  The elixir of immortality, intended for humans, is not delivered to its destination, but falls on plants, which become evergreen, capable of regeneration or bearing fruit. (Traditions in which the "elixir of immortality" is linked to the motif of false news are marked with an asterisk. Cf. motif B115).
H6bb.  A character is sent to deliver a certain object or substance to people, the possession of which is essential to them. The messenger loses these objects or brings others. Usually, this refers to the ability to be reborn after death. Traditions not related to the explanation of human mortality are marked with an asterisk*.
H6c.  The raven (crow, vulture) is associated with death or contrasted with humans as immortal among mortals (sent to bring the elixir of immortality or water that revives the dead; drinks this water himself; teaches people funeral rites; etc.).
H6c1.  To obtain the desired object, the character grabs the young or the female bird (snake, crab) and promises to release them if the father (mother, male) bird delivers the desired object.
H6c2.  At the edge of the world lies the land of darkness. Those who want to obtain living water or gold strive to get there.
H6c3.  Large birds that fly in wedge formations (storks, cranes, swans, geese – German: Zugvögel) are associated with the otherworld (they bring children from there, carry children away to the non-human world, control living and dead water, etc.).
H6d.  Having obtained a means of ensuring immortality, the character falls asleep or leaves the means unattended. At this time, another character steals the means.

This motif has been recorded in 13 traditions: Akkad, Assyria, Babylonia, Arabs of Egypt, Karen, Pa-O, Padaung, Kayah, Kuki, Chiru, Falam (Hallam), Chin (Meitei =Manipuri, Khami, =Kumi), Lakher, Mizo (Lushei), Anal, Pawi (Lai), Purum, Koireng, Milhiem, Kolhen, Mru, Indian literary tradition (Vedic, Brahman, Purana, Indian Buddhism, Hinduism, Ramayana, Mahabharata, Panchtantra, Jatakas); iconography of Hindu temples, Sindhi, Greeks (modern), Balkarians, Bulgarians, Balkarians, Persians, Cherkassians, Adyghe, Kabardin, Southern and Central; Ryukyu Islands: Yaeyama, Miyako, Okinawa, Central Tibetans (Yu Tsang, incl. Sikkim Tibetans, Tichurong of NW Nepal), China