Berezkin Analytical Catalogue · Motif
B44A — Units of time.
Source data for narratives and traditions is drawn from Berezkin’s Analytical Catalogue. If you use this data, please acknowledge and link to it: Ю.Е. Березкин, Е.Н. Дувакин. Тематическая классификация и распределение фольклорно-мифологических мотивов по ареалам. Аналитический каталог.
Summary of motif
OverviewCharacters argue about the number of discrete units of time that determine the duration of a certain period of time (most often winter or night). See motif B44.
Berezkin category: The Origins of the Characteristics of the environment
This is of motif type Cosmology and etiology and is part of group 7, Etiology of plants and animals and of their peculiar features, particular animals as protagonists of cosmological stories, metamorphoses, weather and calendar.
B44 has 7 other sub-motifs
RelatedB44. The first ancestors (usually human-animals) argue about how long the year, winter, night, or other periods of time should last, and whether cold and darkness should be replaced by warmth and light.
B44a. Characters argue about the number of discrete units of time that determine the duration of a certain period of time (most often winter or night). See motif B44.
B44b. The number and/or nature of the alternation of fingers, claws, feathers, hairs, and stripes on animal skins determines the number of time intervals in the calendar or daily cycle. See motif B44.
B44c. The characters argue about whether there should be darkness or light, cold or warmth on earth. See motif B44.
B44d. Night and day alternate because the slain beast was black and white, spotted.
B44e. First ancestors (usually birds or animals) argue with each other about the length of time periods in the calendar or daily cycle, or about the desirability of the dominance of cold and dark or warm and light times. See motif B44.
B44f. In the dispute over whether the world should be bright, the fox is on the side of light (almost always against the bear).
B44f1. In the dispute over whether the world should be light (warm), the bear is on the side of darkness (and cold); or the world is plunged into darkness because the bear hides the sun in his house.
Top 10 motifs with similar dispersal patterns
Phylogeny| Motif | Similarity | Motif summary |
|---|---|---|
| B44C | 98.27% | The characters argue about whether there should be darkness or light, cold or warmth on earth. See motif B44. |
| B44E | 97.94% | First ancestors (usually birds or animals) argue with each other about the length of time periods in the calendar or daily cycle, or about the desirability of the dominance of cold and dark or warm and light times. See motif B44. |
| M49A | 97.31% | hero needs to penetrate unnoticed into the locus of dangerous creatures; he meets an old woman (usually a shaman, a doctor) going there, puts on her skin, and penetrates into dangerous ones in her guise creatures. |
| H19 | 97.28% | The raven hides game animals in a pen or cave or scares them away from hunters. See motif H18. |
| J61 | 97.20% | The character has the ability to move or hover in the air like a feather or a fluff. |
| L33 | 97.00% | The stone rolls after the character, trying to crush him. |
| K27B | 96.48% | Test: smoke a huge or poisonous pipe or breathe in clouds of poisonous smoke. See motif K27. |
| F18C | 96.25% | The character sees a girl on the other side of the river and copulates with her in an unusual way (sends his penis across the river; turns it into a bridge for the girl to cross the river; into a dam that blocks the river in front of her; dives, swimming up to the girl underwater; sends an object into the girl's vagina). See motif F18B. |
| K21 | 96.20% | A girl ends up in the sky and gets married there. |
| F64 | 96.19% | The character is presented as another person in order to mate with a close relative in the descending or (less commonly) ascending line. |
See the 100 most similar distributions →
Map of motif dispersal
DistributionDrag the map to pan, use the scroll wheel to zoom — choose a texture or projection below
Traditions
57 recordedThis motif has been recorded in 57 traditions: Saudi Arabia, Arabs of Levant (Syria, Palestine, Lebanon, Jordan); Bedouins of Sinai, Arabs of Iraq, Iraqi, Arabs of Egypt, Central Vanuatu: Espiritu Santo, Araki, Aore, Maewo, Malekula, Vao, Efate (Vate), Nguna, Mae, Ambrim, Pentecost, Oba (=Aoba, East Ambae, Lepers'), Omba, Timor: Amarasi, Tetum, Meto, Atoni (incl Mollo), Kedang (Lomblen island), Leti Islands (Leti, Moa, Lakor), Sumba, Savu Islands, Flores, incl Mangarai (Western Flores), Nage, Keo, Riung, Ngada or Nad'a (Central Flores), Sika (Eastern Flores), Chin-Naga: Ao, Mao, Sema, Zeme, Kolren, Kom, Lhota, Rengma, Angami, Kabui, Tangkhul, Koirenf, Kazakh, Khakas, Shor, Southern Altai: Altai proper (Altai-Kiji), Telengit, Altaians, Northern Altai: Chelkan, Kumanda, Tubalar, Altaians, Chipewyan, Inland Tlingit, Tahltan, Tlingit, Haida, Tsimshian, Western Ojibwa (Chippewa), Eastern Ojibwa (Missisauga, Timagami and other groups in eastern Ontario), Northern Ojibwa (=Severn Ojibwa, Sandy Lake Cree), Montagnais, Menominee, Sauk (Sak, Mesquakie), Fox, Kickapoo, Five Nations Iroquois (Seneca, Mohawk, Onondaga, Oneida, Cayuga), Comanche, Plains Ojibwa, Assiniboine, Crow, Carrier, Shuswap, Lushootseed (Puget Sound: Puyallup, Nisqualmi, Snuqualmi, Duwamish, Muckleshoot, Snohomish, Skagit), Lower Chehalis, Upper Chehalis, (Lower) Cowlitz, Western Sahaptin (Upper Cowlitz, Klikitat, Tenino, Umatilla, Yakima, Wallawalla), Nez Perce, Tillamook, Klamath, Modoc, Atsugewi, Yana, Kawaiisu, Owens Valley Paiute, Northern Paiute (=Paviotso), Northern Shoshone, Western Shoshone, Gosiute, Eastern Shoshone, Ute, Southern Paiute, Western Keres (Acoma, Laguna), Eastern Keres (Cochiti, Sia, San Felipe, Santo Domingo, Santa Ana, Paguate, Seama), Mapuche, Puelche, Northern and Southern Tehuelche, Upper Chinook: Wasco, Wishram, Clackamas, Kathlamet, Arabs (literary tradition; incl. One Thousand and One Nights), Northeastern Yakuts (Sakha): Yana, Indigirka and Kolyma Basins