Berezkin Analytical Catalogue · Motif

L23 — Proteus.

95 Myths, legends and folktales
95 Unique narratives for motif L23
42 Cultures & traditions where L23 is told
5 Sub-motifs of motif L23
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Source data for narratives and traditions is drawn from Berezkin’s Analytical Catalogue. If you use this data, please acknowledge and link to it: Ю.Е. Березкин, Е.Н. Дувакин. Тематическая классификация и распределение фольклорно-мифологических мотивов по ареалам. Аналитический каталог.

Summary of motif

Overview

Trying to free himself, the captured character successively transforms into various substances, materials or animals, or (Urarina, Setebo) orders various dangerous animals to successively attack the person who captured him. (In some cases, only one variant of transformation is mentioned, but in the same context as in typical variants with a series of transformations).

Berezkin category: Adventures: Monsters and evil spirits

This is of motif type Cosmology and etiology and is part of group 8, Queer and monstrous beings, creatures, objects and loci, folk beliefs related to particular phenomena and objects.

L23 has 5 other sub-motifs

Related

L23.  Trying to free himself, the captured character successively transforms into various substances, materials or animals, or (Urarina, Setebo) orders various dangerous animals to successively attack the person who captured him. (In some cases, only one variant of transformation is mentioned, but in the same context as in typical variants with a series of transformations).
L23a.  In an attempt to free himself, the captured character sequentially changes his appearance, in particular turning into fire (and water).
L23b.  Trying to free himself, the captured character sequentially changes his appearance. The last transformation is into a spindle.
L23c.  Trying to free himself, the captured character sequentially changes his appearance. The last transformation is a small wooden object (usually a spindle). When this object is broken in half, the character permanently regains his human form.
L23d.  A man captures a desirable woman. Trying to free herself, she transforms into various substances, materials, animals or (urarina, setebo) orders various dangerous animals to attack the man who captured her.
L23e.  A man captures a male character. Trying to free himself, the latter transforms into various substances or animals.

🌐 See a combined distribution map for all of L23’s motifs

Top 10 motifs with similar dispersal patterns

Phylogeny
MotifSimilarityMotif summary
L23D99.04%A man captures a desirable woman. Trying to free herself, she transforms into various substances, materials, animals or (urarina, setebo) orders various dangerous animals to attack the man who captured her.
I41B98.46%The rainbow drinks (draws into itself) water (and living creatures).
A23C97.92%Birds argue about which of them will fly higher or arrive first. The winner is the one whose victory seemed unlikely (he hides in the feathers of a strong bird and flies away with it).
I92B97.90%Where the ends of the rainbow reach the ground, there is treasure.
I95C97.80%Orion's belt – staff, stick, three sticks, rod, crutch, etc.
H7B197.48%Having received a magic bag, into which any creature can be forced against its will at the owner's discretion, a person gains power over Death or devils.
K127A97.47%The heroine must remain silent for a long time and therefore cannot respond to the accusations. They want to execute her, but at that moment the restrictions expire and she is saved.
L37A297.44%A man comes to ask God (fate, the sun, etc.) questions that he was asked to ask by those he met along the way. Someone asks when he will be freed from his duties. Answer: let him leave another person in his place.
M12897.43%Having agreed with his opponent that he would get animals with certain external characteristics or behaving in a certain way, the hero takes all or almost all of them when the livestock is divided.
K57B97.42%To stop a beautiful woman from running away, a man in love with her smears resin or glue on the threshold (porch). The shoe sticks, and all the girls try it on to find its owner.

See the 100 most similar distributions →

Map of motif dispersal

Distribution

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Traditions

42 recorded

This motif has been recorded in 42 traditions: Dinka, Atuot, Nuer, Shilluk, Anuak, Papua-NewGuinea Highland Papuans:Trans New Guinea & unclassified:Chimbu,Gimi,KaugelHuli,Gadsup,Kuman,Kutubu,Foi (Foe),Kyaka,Kamano (Kafe),Mawatta,Kukukuku (=Anga,=Sambia;Manki,Nauti,Ejuti),Baruya,Kewa,Tembregak,Menya,Melpa,Wiru,Pondoma, Torricelli family: Valman, Samap, Arapesh (Upper, Coastal), Monumbo, Lilau, Ngaimbom; Moando (Banara); Menya, Olo, Timor: Amarasi, Tetum, Meto, Atoni (incl Mollo), Kedang (Lomblen island), Leti Islands (Leti, Moa, Lakor), Ot Danum, Ngadju, Mindanao and Sulu: Blaan (Bilaan), Bagobo, Bukidnon, Cotabato, Hiligáynon, Binukid, Magindaan (=Magindanao: main Muslim population), Mandaya, Mansaka, Manobo (Agusan, Ata, Dibabawon, Sarangani, Ilianen), Maranao, Samal, Subanon (=Subanun), Subanen, Tboli, Tamil, Muthuvan, Marvar, Tamils, Miao (Hmong) and Yao of Southern China, Meo (Hmong) of Thailand, Laos and Northern Vietnam, Scotland, Scots, Picts, Scotti, Scottish, Ancient Italy: Latins, Etruscans, Magna Graecia, Germans: North (Low- and Central German dialects): Schleswig-Holstein, Mecklenburg, Pommern, Niedersachsen (Lower Saxony, incl East Frisia and Oldenburg), Nordrhein-Westfalen, Hessen, Rheinland-Pfalz, Thüringen, Saxony-Anhalt, Sachsen, Brandenburg, Rügen, Poles, Slovakians, Slovaks, Greeks (modern), Balkarians, Ancient Greece, Latvians, Setu, Finns, Karelians, Vepsians, Western Sami, Swedes, Danes, Danish, Western Ukrainians, Byelarusians, Belarusians, Abkhaz, Abkhazians, Mordvins, Chuvash, Napo (Quijo), Kanelo (“Jungle Kechua”), Shuar, Achuar (Shiwiar), Urarina, Xipaya, Shipibo, Conibo, Setebo, Amahuaca, Cashinahua, Sharanahua, Yaminahua, Yawanahua, Capanahua), Sulu, Pamun, Samal, Taosug, Eastern Ukrainians, Northern Ukrainians, Lutsi (Ludza), Transylvanian Saksons, Russian Federation

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